Thought, Drew, Created!


One of my first posts on this blog back in January 2016 was a brief review of Think, Draw, Create!, an art journal-type sketchbook from Parragon Publishing (here). As I demonstrated, I had set myself the challenge to complete a page a week and posted updates of my progress (here and here). Another year has now gone by and I have finally completed every task in the book. Above are some examples that I am particularly pleased with.

As I have said before, Think, Draw, Create! was produced with the intention of helping creatives to nurture their imagination. With over 100 prompts, the book encourages would-be artists to contemplate ideas outside the constraints of linear thinking. The instructions are a mix of literal and figurative tasks that challenge both the brain and artistic skill.

Some pages are fairly straightforward – “Draw something hot.” “Add flames to these candles.” “Design a book cover for a spy novel.” – complete with tailor-made illustrations as starting points. However, some instructions are more obscure, causing thought and careful planning before pen can be put to paper. Examples of these are “Draw this wolf’s howl.” “Draw a joke.” “Draw a wish.” “Draw blue submerged in yellow.” The remaining pages provide the opportunity to illustrate whatever you wish, the only restriction being the colourful or textured background design.

Think, Draw, Create! is not about producing perfect artwork, instead, it is focused on ideas and preparation. Although instructions are given, they are open for interpretation. Many people struggle to think for themselves and need precise direction in order to complete anything. This book is an opportunity to develop a new way of processing instruction and a safe place to increase confidence in your own abilities. Instead of “Draw a bear,” we are asked to “Draw a bear that is late.” The first instruction would have resulted in a range of bears from polar and grizzly to Teddy, however, the latter requires more thought. Not only must we decide what the bear looks like, we need to consider the situation, where he is, why he is late and how is he dealing with this.

The pre-existing illustrations featured in this book have been drawn by Eleanor Carter, an art and design lecturer at Sussex Coast College Hastings. She has used a range of techniques including printmaking and collage as well as drawing to create a fun, light-hearted atmosphere in which to create your own artwork. The imprecise, rough appearance of Eleanor’s illustrations encourages would-be artists not to attempt to be too perfect in their designs and to embrace varied styles and technique.

Since completing the book, I have been able to look back and see the developments I have made in my thinking and drawing ability. I already had a preferred drawing style that had blossomed whilst I was at college, but by taking on these tasks I have been able to expand and evolve my drawing technique.

If someone were to have asked me to draw a picture in 2015, it would almost certainly be a black and white sketch produced with a fine-tipped pen. I never used colour (something that was often mentioned in feedback from tutors) unless I was adding it in digitally – something that was not an option in this book. Initially, I stuck to my monochromic approach, after all the pages already had coloured backgrounds. Eventually, I broke out the coloured pencils and bravely attempted a coloured illustration. I was not disappointed.

Below are a few of my favourite outcomes, all but one coming from pages that gave free rein to do as you pleased. The one directly below was the penultimate task in the book, which instructed me to draw something brave. Admittedly, I did not think about this one for long (to be honest, I struggled with thinking up unique ideas in general) and decided to draw a superhero. For many of my drawings, I researched online for visual references to draw from, so after finding a sketch of Superman, I drew my own version, adding colour to finish. A friend loved this outcome so much, she has a scanned version of it framed on her wall.

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On the first set of pages with the space to do anything, I decided to draw a portrait of a friend. Naturally, I had not altered my illustration style at this point, therefore it looks similar in technique to many other portraits I have produced in the past. However, I am still pleased with the result. I had lost confidence in my drawing ability and seriously doubted I would have been able to create a likeness again, yet I proved myself wrong.

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These final two examples are my favourite outcomes. On a whim, I decided to experiment with pointillism. Whilst searching for inspiration, I had come across an illustration of Matt Smith as the Doctor in Doctor Who, which had been drawn in a similar style to my own. However, I had a vivid image in my mind about how it would look shaded with dots instead of cross-hatching. Since the facial features were cropped out of the image, I was able to draw a brief outline in freehand (I often trace photographs to get proportions correct) then began filling it in with tiny dots. It took many hours to complete, spread over several days, but it was completely worth it.

In keeping with the Doctor Who theme, I decided on a Cyberman for the facing page. Using a vector image I had saved on my phone, I used the same method of pointillism to shade in the robot-like creature. I am still pleased with this particular illustration and often stare at in disbelief. Did I really draw that?

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Think, Draw, Create! has been a lot of fun and has given me the opportunity to draw without the added pressure of deadlines and perfection (okay, that’s a lie. I struggle with perfectionism). I definitely recommend purchasing this book if you are looking to enhance your creativity. It is suitable for all ages and abilities and has certainly helped me develop my own skill.

THINK. Then Draw. Create.

Following instructions is something everyone needs to be able to do in numerous areas of life: school, work, relationships, cooking etc. Despite people assuming artists can do what they like – which in some cases they can to an extent – following instructions is an extremely important part of an Art & Design career.

Sometimes instructions can be straightforward and easy to complete, e.g. “Draw a tree.” However, there are times when the way to tackle a direction or design brief is less clear: “Produce something that represents happiness.” In these cases the artist needs to take time to mind map ideas before settling on a final outcome. This is something that school and college tutors are constantly stressing the importance of to their students.

When I was working on my BA in Graphic Design I initially found it difficult to map out my ideas before starting to put together the final design. I remember one of the first assignments was to create four typographic posters to represent a chosen London location. We were instructed to draw at least thirty “thumbnail sketches” before we even touched a computer or began experimenting with materials. I overheard a few of the students around me complaining that it was a waste of time, or too difficult to think up such a large amount of ideas. I agreed with them. However as time went on I began to understand the reason we should begin all projects like this. The obvious answer to instructions is not always the right one.

I confess that since finishing college I have not always sat down and mapped out a multiple of ideas before starting a brief. Often this is because of a time limit, but sometimes it is impatience – a need to get things over with and finished as quickly as possible. Occasionally brilliant ideas pop into our heads whilst sitting on a bus or lying in bed, however most of the time, unless we stop and really think about the task in hand, we are only going to produce average art work.

This is something I have noticed happens when I am completing (for fun) pages from the book Think. Draw. Create. I have written about this before but to recap it is a book with a prompt on each page that requires the artist to think carefully before they start drawing. I set myself the challenge to complete a page every weekend, and this pressure has slightly prevented me from properly planning what I am going to draw. Some of my outcomes (ones I am too embarrassed to show you) are very mundane and poorly executed. I am disappointed with myself for my lack of effort on these occasions. This is why it is so important to THINK before you start anything.

From now on I promise to really try to plan before I start on any design work. I urge you to do the same regardless of the size or importance of the project. You may think it a waste of time, but would you rather take a little longer and produce something amazing, or rush and end up with something merely passable?

Continuing to Think. Draw. Create.

Every weekend I have completed a task in my Think. Draw. Create. book that I blogged about back in January. Above are a few examples of the art I have produced since then. I have found a few of the tasks challenging and have been unhappy with the outcomes, which is why I have only included five images.

My favourite is the Shadow Puppet. People have commented saying that the hands and shadows look like they belong on the included background papers. For this I used my usual black fine liner to draw the hand, but decided to use black pencil to shade in the shadow as I thought using ink would make it too dark.

I enjoyed drawing the cartoon sheep (see top two images). The task was to add bodies to the arms on the pages, and for a while I did not know what to do. When it comes to drawing people I need an image (preferably an illustration) to copy. It would be impossible to find what I need to fit with those arm positions. Instead I decided to create something cartoon-y. Sheep, especially in caricature form, are fairly easy to draw. For each set of arms I drew a similar sheep, but experimented with the facial expressions. I think some of them look quite good – slightly amusing.

One of the problems with forcing myself to complete a page a week is if I am not in a creative mood the outcome is not that great or imaginative. It does not help that some of the tasks are rather peculiar. Take “draw this grasshopper’s chirp” for example. Being someone who occasionally struggles to think outside the box (my box is very comfortable, thank you very much!) this assignment was particularly difficult. I resorted to writing the word “chirp” over and over again. I wish I was able to think of something more exciting.

I am going to continue doodling in this book regardless of how creative I’m feeling, as it should help develop my drawing skills in the long run.

Think. Draw. Create.

28096614Think. Draw. Create.
Written by Frances Prior-Reeves
Illustrated by Eleanor Carter



In the spring of 2015, a very kind friend of mine presented me with this book as a present in order to keep me busy. Each page has an empty space for the artist to draw their own illustration based on a specific instruction. Below are a few of my outcomes. (Some are based on other drawings I have seen, others are from my own imagination or photographs.) I have many more pages still to complete!

Published in 2014 Think. Draw. Create. provides artists, amateurs, adults and children with a space to nurture their creative thinking. Beautifully set out, each page has a different instruction that requires thought before putting pen to paper.

These instructions are not the typical commands you may expect; instead they are often open and result in a variety of interpretations: for example “Draw orange ignoring red” and “Draw the future in this crystal ball.”

I highly recommend this book to other artists who want to develop their own illustration style or to practice their drawings. It helps to keep the mind active and will benefit those who want to get a job in the art field where they may need to be able to think of original ideas on the spot.