So many books, so little time

Yoshiko and the Gift of Charms
Author: Julia Suzuki
Published: 4th September 2014
Goodreads Rating: 4.06 out of 5
Reviewed: August 2016

Yoshiko and the Gift of Charms is the first book in the children’s series The Land of Dragor by Julia Suzuki. Dragor is the land inhabited by dragons, hidden from the rest of the world, away from the evil humans by the smoke produced by The Fire Which Must Never Go Out. Dragor is where it is safe, and the dragons are forbidden to leave. However, it may not be as perfect as it seems.

The story begins with the birth, or hatching, of a dragon named Yoshiko. Unlike all other dragon births, Yoshiko’s egg was a variety of different colours, which led to speculation as to whether this young dragon was cursed. Other than being a late developer, Yoshiko is physically well and attends school like all the other youngsters where, unfortunately, he experiences bullying from one of the other dragon clans – something the reader may be able to relate to through their own school experiences. Each clan is a different colour, but one day Yoshiko realises he can change the shade of his scales. Horrified by his discovery, he seeks help from an old but wise outcast, who, whilst supporting Yoshiko as he learns to control the colours, helps him discover his destiny.

The initial two-thirds of the book felt like a long introduction, with the final third being a hastily written climax. Irrespective of this, it was an enjoyable read and would be particularly entertaining for children. Some of the language may be a little too advanced for younger readers. Despite the introduction/climax issue, the story contains enough information to understand the way the dragon’s small world works and ends by setting the theme of the next instalment. It is exciting to find out what happens next!

The Winner’s Curse
Author: Marie Rutkoski
Published: 4th March 2014
Goodreads Rating: 3.96 out of 5
Reviewed: September 2016

The Winner’s Curse is the first book in the Winner’s Trilogy by American author Marie Rutkoski. The author mixes rumours, lies, love and warfare to create an incredible new story for young adults. It is set in a similar society to the 18th century or earlier (in Europe at least), except that women can only choose one of two lifestyles. By twenty, they must decide whether to marry or join the military. By women, that means Valorian women. Ever since the defeat of the Herrani during the Herran war many years ago, the Valorian have made them slaves and looked down on the Herrani whilst seizing their lavish properties and enforcing Valorian customs.

The title, The Winner’s Curse, is a concept that relates to the winner of an auction. Whilst they have won the item, they have also lost by paying out more money than other bidders felt it was worth. This is what happens to seventeen-year-old Lady Kestrel, a Valorian, when, with an unexplainable impulse, she hires Arin, a Herrani slave, for an extortionate amount of money. Put to work as a blacksmith, Arin becomes intrigued with Kestrel, and she with him, and they soon start to form a friendship – although rumours suggest something more.

It is not simply the cost of a slave that The Winner’s Curse refers to. The Herrani are planning an attack on the Valorian Empire, and Kestrel, a General’s daughter, could unknowingly reveal vital information. The emergence of a second Herran war is imminent, but Kestrel and Arin’s relationship complicates things further.

Whilst similar to other novels with lovers belonging to opposing families, it is more original regarding the circumstances, secrets and lies, which makes not just the characters, but also the reader questions their true feelings and intentions. It is an excellent, fast-paced, highly recommended read.

The True & Splendid History of the Harristown Sisters
Author: Michelle Lovric
Published: 1st January 2014
Goodreads Rating: 3.66 out of 5
Reviewed: August 2016

The True and Splendid History of the Harristown Sisters is a historical fictional story set in the 1860s and 70s by the novelist Michelle Lovric. Based loosely on the lives of the Sutherland Sisters of New York, it tells the story of seven sisters with unreasonably long hair: over forty feet when combined.

The novel begins in Harristown, County Kildare, Ireland, and is narrated by the middle sister, Manticory Swiney, who recounts their lives over thirteen years, starting from when Manticory is thirteen and her sisters range in age between nineteen and nine.

As mentioned, this novel is about hair. Manticory refers to a time when a man assaulted her as a result of her long red hair. This prompted evil older sister Darcy to scheme money-making plans using their hair. Naming themselves the ‘The Swiney Godivas’, the sisters took to the stage, performing and singing. But the highlight of the show, and something which the men lusted over, was the grand finale, where they let down their hair to show off its length.

Their performances attract the likes of Mr Rainfleury and Tristan Stoker, who wish to use the girls as a means of producing vast amounts of money. Coming from a poor family, Darcy is keen to go along with these plans, so they all go to Dublin, where their fame increases. With hair products and dolls made to their likenesses, they become well-known all over Ireland and eventually spread into Europe. Eventually, the girls settle in Venice, however, their luck with fame, and more importantly money, may be about to run out.

Since the attack on Manticory at such a young age, she has distrusted men and their motives, particularly in connection with hair. That is until she meets the quiet Mr Sardou, a man she finds herself craving to please.

With a hint of romance, this story is beautifully written and humorous as the sisters continue to bicker and insult each other even once they reach adulthood. Overall it is a superb, grippingly addictive read.

Cuckoo Song
Author: Frances Hardinge
Published: 8th May 2014
Goodreads Rating: 3.96 out of 5
Reviewed: August 2016

Frances Hardinge’s Cuckoo Song is a historical horror story for children. Six years have passed since the end of the First World War, a war in which the Crescent family lost their eldest child. Eleven-year-old Theresa Crescent “Triss” lives with her parents and nine-year-old sister, Penelope “Pen” in the fictional town of Ellchester, England. Since losing Sebastian, Triss has become a very frail child, so it is no surprise to her parents that she develops an awful fever after falling into a millpond. The question, though, is how she came to be in the pond, to begin with, and why Pen is so scared of her.

Things become even more mystifying when Triss sees dolls start to move, finds leaves on her pillow, and is constantly ravenously hungry. Her parents begin to consider that Triss is suffering from some form of mental illness, but Pen, the bad-tempered child, is adamant that that is not the case. She claims that Triss is a fake.

The horrible realization is that perhaps Triss is not Triss at all. This discovery leads the tale into paranormal territory with the introduction of unique new creatures: Besiders.

Cuckoo Song is not just an entertaining, fantastical story; it also deals with themes of family and personal emotion. Piers and Celeste Crescent are examples of parents whose behaviour and response to the death of a child impact their remaining children. Triss becomes a child they want to protect and save, leaving Pen to become an attention-seeking troublemaker.

As the story progresses, Triss and Pen’s relationship develops, or rather Pen and Not-Triss, into something more recognizable and sisterly. Through their strength and newfound love for each other, they fight to get the happy ending they deserve. And through it all, Triss discovers that just because someone calls you a monster does not mean you are a monster.

It is difficult to say who the target audience of Cuckoo Song is. The protagonist is eleven, but the writing may be difficult for some children. On the other hand, it cannot be classed as Young Adult fiction since the characters are not even in their teens. Overall, Cuckoo Song is an exciting, fast-paced, fairytale-like story with original characters. It is not scary and is fun to read; there is nothing to stop older readers from enjoying it too!

Lies like Love
Author: Louisa Reid
Published: 5th June 2014
Goodreads Rating: 3.87 out of 5
Reviewed: September 2016

Lies Like Love by Louisa Reid is an emotional story full of disturbing, discomforting themes. It is a book that will linger in the mind long after the final page. The story alternates between two characters’ perspectives. The first is Audrey, a sixteen-year-old who has just moved to a new home and school after being in and out of various treatments for depression, amongst other things. She lives with her little brother, Peter and her overprotective mother, who appears to want to do everything she can to make Audrey better.

The second character is Leo, a couple of years older than Audrey, who has also had experiences with depression. The stress his over-ambitious parents inflicted on him became too much to handle, so now he lives with his Aunt Sue on a farm near where Audrey has recently moved.

With his therapist’s prompts, Leo becomes good friends with Audrey and does not care about her mental health issues. Due to his own experiences, he is more understanding of the circumstance. But once he gets to know Audrey well, he begins to think there is nothing wrong with her.

Audrey’s mental health problems only escalate when she is at home, and the reader begins to wonder whether there is more to it than is being revealed. Perhaps the mother has problems of her own?

Both Leo and Audrey become more confident throughout the story. Leo eventually gets to the stage where he no longer needs a therapist, whilst Audrey begins to sort out the truth from the lies in her mind and only continues to endure her “illness” to protect her brother.

At times it is challenging to read Lies Like Love. Those who have experienced similar situations or illnesses may feel upset or triggered by some content. It is also easy to feel angry about what is happening. 

Overall, it is an excellent book dealing with very important themes. There are people in the world who have suffered or are suffering from these mental illnesses, which makes the storyline feel very real. Lies Like Love also emphasizes that there are different ways of loving people. Loving someone can make them strong, but it can also suffocate them. 


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The Colourful World of David McKee

Until 16th April 2023, the Horniman Museum in London is holding a retrospective of the late David McKee’s colourful illustrations. Mckee was a British author of children’s books, most notably Elmer the Patchwork Elephant. Since its publication in 1968, the original Elmer book has sold over ten million copies worldwide, making it one of the most-read children’s books. McKee is also responsible for other much-loved characters, such as Not Now Bernard, King Rollo and Mr Benn.

David John McKee was born on 2nd January 1935 in Tavistock, Devon. He attended the Plymouth College of Art, where he subsidised his studies by selling cartoons to newspapers. After graduating, McKee continued to produce regular artwork for national publications, such as the Reader’s Digest, the Times Educational Supplement and Punch, a satirical magazine. In 1964, McKee published his first children’s book, Two Can Toucan.

McKee first published Elmer the Patchwork Elephant with Dobson Books in 1968, although he re-issued a shortened version with Andersen Press in 1989. Elmer is not like other elephants with their grey, nondescript skin. Instead, the cheerful creature sports a patchwork of different colours: yellow, orange, red, pink, purple, blue, green, black and white. Despite the difference between Elmer and his peers, he remains an optimistic fellow with a rather mischievous streak.

The original Elmer book is notable for its exploration of cultural diversity. Although Elmer did not mind looking different, he wondered what it would be like to look like all the other elephants. One day, he decided to paint himself grey and blend in with the others. None of the elephants recognised Elmer, nor did the other animals in the story. Unable to take the silence, Elmer shouted “BOO”, making all the elephants jump. They immediately knew Elmer from his voice and fell about laughing. The elephants congratulated Elmer on his best joke ever and laughed even more when it began to rain, washing away the grey paint.

Elmer’s friends reassured him that they preferred his multicoloured and fun-loving personality. They proposed to name the day Elmer painted himself grey “Elmer Day”. Each year on “Elmer Day”, Elmer painted himself grey while the other elephants decorated themselves with multicoloured paint.

Primary schools, libraries and bookshops across the UK have adopted “Elmer Day” to “celebrate everyone’s true colours”. Everyone is unique in their appearance and the way they think and feel. “Elmer Day” encourages children to accept other people’s differences. Since 2016, “Elmer Day” has been celebrated at the end of May, roughly coinciding with the anniversary of the 1989 re-print.

Following the re-print of Elmer in 1989, McKee published 42 more books about the colourful elephant, starting with Elmer Again in 1991 and ending with Elmer and the Gift in 2022. In 2020, McKee won the BookTrust Lifetime Achievement award and the British Book Awards Nibbies Illustrator of the Year. McKee never expected to win, stating he had “never been one for the spotlight or winning awards,” yet nine years earlier, he was awarded an Honorary Doctorate of Arts from Plymouth College of Art.

In 2019, Elmer took to the stage in the Elmer The Patchwork Elephant Show, adapted by Suzanne Miller and featuring songs by Allison Leyton-Brown. Although the show was primarily for entertainment, it contained a subtle message about being yourself. Later that year, the London Symphony Orchestra held an interactive storytelling session, recreating the 40th book in the series, Elmer’s Walk (2018), with music and dance.

In 2014, The Guardian named Elmer an LGBTQ+ icon. Although the movement celebrates sexual equality, the newspaper felt Elmer a fitting mascot due to his message of true colours, acceptance and inclusivity. Two years later, Elmer became the face of Just Like Us, an LGBTQ+ young people’s charity that aims to tackle homophobic, biphobic, and transphobic bullying in schools. Every year, schools are encouraged to participate in School Diversity Week, which celebrates pupils’ differences.

This year, 2023, Elmer has partnered with Alzheimer’s Research UK. McKee’s final book in the series, Elmer and the Gift (2022), deals with the effects of memory loss. Elmer’s Aunt Zelda has a gift to give Elmer from his Grandpa Eldo, but she cannot remember what or where it is. Although Zelda’s memory and hearing are often poor, Elmer helps her search for the missing present while displaying love, patience and respect for his elderly relative. Many young readers may recognise some of the themes in their families, particularly if a loved one is suffering from dementia or Alzheimer’s disease.

Alzheimer’s Research UK aims to raise awareness of dementia and how people can help care for sufferers. Book sales also help raise money for the charity, which supports families and individuals, plus supplies funding for scientists searching for a cure, treatment or prevention of the disease. To increase support, Hollywood actor Will Pouter (b. 1993) recorded himself reading the book, which will be available online. When interviewed, Poulter revealed, “I loved reading the story of Elmer and the Gift in support of Alzheimer’s Research UK. Thousands of families are impacted by dementia and talking about it to friends and family of any age is incredibly difficult. David McKee’s Elmer the Patchwork Elephant is colourful, trusted, and nostalgic for many parents, making the story a great way to start these important conversations with little ones.”

Elmer is not McKee’s only creation. Predating the colourful elephant is Mr Benn, a man recognised for his black suit and bowler hat. The first of the four original Mr Benn books, Mr Benn Red Knight, was published in 1967 and became an animated television show in 1971. The majority of the stories, both in the books and on television, feature a similar pattern. Every day, Mr Benn leaves his house at 52 Festive Road, London, and visits a fancy dress shop. On each visit, he tries on a different outfit, which transports him to an appropriate world. In the first story, Mr Benn tries on a red knight’s armour and finds himself face-to-face with a dragon. On another occasion, he travels to several weird and wonderful planets while dressed as an astronaut.

McKee intended to write six Mr Benn books, but only four were published: Mr Benn Red Knight, Big Game Benn123456789 Benn, and Big Top Benn. McKee adapted the fifth book, Mr Benn Rides Again, for television and the sixth, Superbenn, never became more than an idea. In 2001, McKee eventually published a new story, Mr Benn – Gladiator. In the same year, Tess Read published Mr Benn’s Little Book of Life, which examined the Mr Benn stories, particularly the moral messages. With the Mr Benn series, and the later Elmer books, McKee subliminally added life lessons for children.

Between 1971 and 1972, McKee wrote, illustrated and animated 13 Mr Benn episodes for the BBC. Each episode lasted 15 minutes, with Ray Brooks (b. 1939) providing the narration. In 2005, the BBC released an animated version of the final book in the series, Mr Benn – Gladiator. 

In 1978, McKee established King Rollo Films, an animation production company which continues to produce children’s cartoons up to the present day. The studio began with King Rollo, based on a series of books by McKee. Rollo is a childish king who always needs advice and assistance from his friends. In the first book, King Rollo and the New Shoes (1979), Rollo gets his first pair of lace-up shoes. After a lot of patience from Rollo’s friend, the magician, plus a lot of shouting and banging from Rollo, the king eventually learns how to tie his new shoes.

King Rollo Films expanded to include animations by other illustrators, including The Adventures of Spot (1987), Maisy (1999-2000), and Poppy Cat (2011). McKee occasionally worked as a writer for these shows.

Elmer, Mr Benn and King Rollo are considered children’s classic picture books, as is McKee’s 1980 story Not Now, Bernard. The publisher, Andersen Press, initially had reservations about the book because they thought it might frighten children and cause controversy. Yet, Not Now, Bernard has been translated into more than 20 languages and has never been out of print.

Not Now, Bernard is about a young boy who wants attention from his preoccupied parents. After being told “Not now, Bernard”, he ventures into the garden, where he is eaten by a monster. The badly behaved monster pretends to be Bernard for the rest of the day, but the parents never notice. Finally, the monster tries to tell Bernard’s mother that he is a monster, but all she replies is “Not now, Bernard”.

Some schools banned Not Now, Bernard for violence, but that did not stop it from becoming a popular story. The Guardian described it as a “cautionary tale of the perils of ignoring children”, and actress Sheila Hancock (b. 1933) claimed the book “demonstrates that parents can be naughty too” and “when we don’t listen to people, monsters can take over”.

McKee divided his time between London and southern France, where he lived with his partner Bakhta, a French-Algerian art dealer. The couple had a shared interest in collecting drawings and African tribal art. McKee had three children from his first marriage to Barbara Ennuss and once lived at 54 Festing Road, Putney, which served as inspiration for Mr Benn’s house at 52 Festive Road. McKee did not earn a great deal from his books and animations, particularly Mr Benn, for which he accepted a lump sum rather than earn royalties. McKee revealed in an interview that Bakhta shared his outlook on money. “She’s just a happy person and doesn’t ask for anything. If we walk hand in hand that’s enough.” Yet, McKee did buy a Picasso ceramic bowl for £300, knowing it was worth £1,000.

David McKee died on 6th April 2022 after a short illness. Although he did not believe he deserved the BookTrust lifetime achievement award, he definitely earned it. Evidenced by the recent Horniman exhibition, Elmer the Elephant is here to stay and continues to be adapted for the present day. Mckee’s books entertained children for decades, and towards the end of his career, McKee helped other characters, such as Michael Bond’s Paddington Bear, reach new audiences by providing illustrations for updated stories. No doubt Elmer the Elephant will receive the same treatment in the future as he continues to support inclusivity and Alzheimer’s Research UK.

If you wish to visit the Elmer and Friends exhibition at the Horniman Museum, tickets are available until 16th April 2023. Entry is £5 for adults and £3 for children, although family deals are available. Please visit the Horniman website for more details.


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Reader, I Murdered Him

Jane Steele
Author: Lyndsay Faye
Published: 22nd March 2016
Goodreads Rating: 3.89 out of 5
Reviewed: March 2017

“Reader, I murdered him.” Jane Steele is a gothic retelling of the renowned Jane Eyre written by the celebrated Charlotte Bronte. Crime writer, Lyndsay Faye, creates an entirely new story whilst appropriating the skeletal structure of the original classic. However, Jane Steele is nothing like Miss Eyre, with whom everyone is familiar. She is far more headstrong and independent. She is also a murderer.

Before readers are discouraged to hear that their beloved Jane is portrayed as a criminal, the murders that occur are more of a homicidal or self-defence nature, as opposed to serial killing. The first death, occurring when she is a nine-year-old orphan, is not her fault, but it prompts Jane’s wealthy aunt to pack her off to boarding school, and thus the similarities with Jane Eyre commence.

Written in an autobiographical manner, Jane describes her years at the virulent school, where she and the other girls experience abuse at the hands of the schoolmaster. As readers will recall, Eyre’s life improves in her later school years, but Jane Steele’s education comes to a premature end, resulting in her fending for herself in 19th-century London.

As the blurb indicates, Jane returns to the house she grew up in after the death of her aunt to become a governess for the current owner’s ward. Mr Charles Thornfield, a bachelor, is Jane Steele’s version of Rochester, minus the wife in the attic. The contents of the cellar are a different matter.

From a romantic point of view, all happens in a similar manner to Jane Eyre, but this is where the comparisons end. With concealed crimes and secrets, as well as an unsolved murder, the story becomes the thriller it initially proposed to be. The incisive Jane Steele takes matters into her own hands – figuratively and literally – as she determines to resolve the unanswered questions.

Although not written with the intent to be comical, the stark contrasts between the original and the retelling create humorous scenarios. The nature of the main character, in comparison with the time frame, a period where women had very few rights, makes the narrative far more exciting and amusing than the earlier novel – although not necessarily better.

Lyndsay Faye maintains the atmosphere of the 1800s with her affinity for eloquent turns of phrases and choice of words. She is a prolific author full of wonderful ideas; her ability to create a new story out of a well-known classic is a formidable skill. What is admirable is the way in which Faye has made Jane Steele a novel in its own right and not merely a rip-off of Bronte’s work.

The skilful composition and wording will likely be loved by all, its only downfall being the reaction of hardcore Jane Eyre fans. Those who wish for the classics to be left alone and not pulled apart by contemporary authors or film directors may adopt a negative attitude towards the publication of Jane Steele. On the other hand, many will love this gothic retelling, appreciate the similarities and enjoy the new twist to the storyline. 

How To Talk So Little Kids Will Listen
Author: Joanna Faber and Julie King
Published: 10th January 2017
Goodreads Rating: 4.41 out of 5
Reviewed: April 2017

The highly rated How To Talk books were developed by Adele Faber as a guide for parents, who face daily struggles with their children’s behaviour. Now her daughter, Joanna Faber, and childhood friend, Julie King, are parenting experts and have contributed to the series. This latest addition, How To Talk So Little Kids Will Listen, is a survival guide for parents with children between the ages of the terrible twos to the semi-civilised-sevens. Covering topics from food battles to sleep issues, parents are bound to relate to something in this book and be able to put some of the advice into practice.

Most of the content encompasses the tried and tested methods Joanna and Julie encourage parents to consider as part of a parenting workshop. Split into topics, the reader is given a set of tools to work with that may help to turn a situation away from a tantrum and a harassed parent. These tools are demonstrated with real-life stories from the Mums and Dads who used them.

As well as the usual behaviour troubles that most children develop, the book also includes ways to cope with children who have sensory issues or are diagnosed with Autism. These youngsters do not process the world the same way as other people their age, which can be very frustrating for parents. Armed with a new set of tools, adults will be able to support their children as they grow up in a world they do not understand and make them feel safe and understood.

Illustrated with cartoons, each chapter ends with a short summary of ideas to try in any situation. By providing these recap points, parents can locate a tool or idea in a moment of desperation and put it into practice immediately. The layout and clear headings offer an easy way of finding the relevant information, meaning that harried parents do not have to skim paragraphs and pages to find what they seek.

By including real-life scenarios, Joanna and Julie highlight that there is no one-size-fits-all when dealing with unruly children. Each child is different and needs to be treated appropriately. However, the experts provide enough information so that when one tool fails, there is another as a backup.

After reading How To Talk So Little Kids Will Listen, you will feel empowered to tackle anything your child throws at you. Of course, there is no guarantee that you will become a parenting master overnight, but you will be more confident about dealing with the little rascals.

How To Talk So Little Kids Will Listen is a book that feels realistic with no psychological jargon to make you feel inadequate. Joanna and Julie are both parents and have had to resort to taking their own advice – and sometimes failing. The writers are human and not childless psychologists who believe they know what they are talking about. So, if you are tearing your hair out and do not know what to do to make your child happy, this How To Talk series is something to check out.

Spontaneous
Author: Aaron Starmer
Published: 23rd August 2016
Goodreads Rating: 3.33 out of 5
Reviewed: April 2017

Dubbed the “funniest book about spontaneous combustion you will ever read” by the acclaimed best-selling author John Green, Spontaneous by Aaron Starmer is a story about growing up and blowing up. Seeing a classmate explode in front of you during third-period pre-calc class is not something you ever expect to happen. Nor do you expect this to be the first of many to randomly occur throughout your senior year, but for Mara, this is her appalling fate.

Mara’s senior year was not all that exciting until the first explosion, but after a few more students from her class spontaneously combust, it is clear she is not going to have a normal final year of school. Only affecting the seniors, Mara and her friends are ostracised from society while FBI agents try to solve the problematic situation. With bombs, terrorists and government conspiracies eventually ruled out, the class is left abandoned to explode at their leisure – although they would rather not!

Mara, with her boyfriend, Dylan, and best friend, Tess, attempts to continue living their lives. They encourage students to start their own school so they can still graduate at the end of the year. But with an increasing number of messy ends, they begin to doubt they will make it that far.

Full of crack-pot ideas that will leave readers laughing, Mara’s dry sense of humour gets her through most of the year, but the painful loss of her friends and acquaintances soon catches up with her. It is hard not to despair when you know you could detonate at any moment.

The easiest way to describe Spontaneous is bonkers, absolutely bonkers. For a start, spontaneous combustion is uncommon for any living creature. Mara’s inappropriate humour and acidulousness only add to the farcical state of affairs, providing a comical and entertaining narrative. However, as Mara begins to acquiesce to her new situation and live as if regularly being sprayed with blood and guts is normal, the story takes a sombre downturn.

Annoyingly, the conclusion of Spontaneous is ambiguous, leaving attentive readers with no answers. Had Starmer not imaged a solution, or was it too difficult to explain? Whatever the reason, it leaves us with a dissatisfying ending.

On the other hand, the ending of a book is only a fragment of the story. The beginning and middle were of the author’s optimum quality. Combining typical teenage emotion and behaviour – romance included – with a horrifying crisis results in a book that will make you “feel all the feels” – to borrow a Mara term – and enjoy every moment.

Spontaneous will entertain young and old adults, although perhaps not the more sensitive reader. With uncensored language and no sugarcoating, Mara gives us all the gory details blow-by-blow (literally). Be prepared for laughter, shock and unadulterated pleasure.

The Inexplicable Logic of my Life
Author: Benjamin Alire Sáenz
Published: 7th March 2017
Goodreads Rating: 4.13 out of 5
Reviewed: February 2017

Over the past couple of years, social media, particularly Tumblr, has been raving over Benjamin Alire Sáenz’s multi-award-winning novel, Aristotle and Dante Discover the Secrets of the Universe. As a result, I have wanted to read this book to see what the fuss is about. Unfortunately, libraries and bookstores in the UK do not appear to stock any of Sáenz’s novels. When I saw an ARC (Advanced Reader Copy) of The Inexplicable Logic of My Life was available to review on NetGalley, I took the risk, having not read any of Sáenz’s work, and requested a copy. I am glad I did. The Young Adult novel turned out to be a thing of true beauty. The prose is almost poetic and full of emotion; it not only tells the story but also makes you feel it.

The narrator, Salvador “Sal”, is beginning his final year at El Paso High School with his best friend, Sam. Normally, the first day of school is something he looks forward to, but he feels different this year. Something within Sal has changed, something indescribable but there all the same. Something that makes punching someone in the face an automatic reaction.

Sal’s dad is gay. Although not his real dad, Vicente adopted Sal into his extended Mexican American family after the death of his mother when he was three years old. He could not have asked for a better parent, but something is niggling in his mind: who is his biological father?

Whilst Sal soliloquizes about his feelings, the reader is introduced to best friend Sam – a girl who, despite an erudite vocabulary, is not afraid to cuss and swear. Sam also understands what it is like question who you are, as does Fito, another friend with terrible relations. Tragic events pull the three together, giving them a new chance at being part of a family despite not being blood-related.

Sal, Sam and Fito try to help each other through their problems, ruminating together over their pasts and contemplating the unpredictable future. Despite each character suffering from grief, their friendship gives them a purpose and encouragement to carry on.

The Inexplicable Logic of My Life covers so many themes it is impossible to categorize. Sam, Fito and Vicente are all encumbered with something that could ostracize them from society – their sexuality, race, drug addict parents – but they never let this get in their way. Sal, on the other hand, struggles somewhat, believing he no longer knows who he really is. He questions everything: how does he fit into the world around him? What right does he have to graduate and go to college?

With great efficacy, Sáenz explains through Sal’s voice the importance of believing in yourself, letting yourself be loved, and accepting things for what they really are. All the main characters are trying so hard to belong; they do not realize they always have belonged.

The Inexplicable Logic of My Life is a story of grief, death, family, friendship, fathers and words; a graceful, almost lyrical narrative that gets to the heart of human existence and uplifts the spirit. The expressive language has a great emotional impact on the reader – have your tissues at the ready – and resonates within the soul. With quotable lines that you will wish you had written yourself, I guarantee you will love this book.

See You in the Cosmos, Carl Sagan
Author: Jack Cheng
Published: 28th February 2017
Goodreads Rating: 4.05 out of 5
Reviewed: March 2017

Carl Sagan (1934-1996) was an American astronomer and cosmologist famed for sending the Golden Record into space, full of sounds from Earth for any living being in the universe to find and listen to. Now, his youngest fan, 11-year-old Alex Petroski, intends to follow in his footsteps, recording sounds and information about his everyday life onto his “Golden iPod”. Told through the transcripts of these recordings, the readers (and the aliens) follow Alex on an unexpected epic journey in which he discovers things about himself that he never expected to.

Alex is a very independent child, having grown up with no father, a mentally vacant mother and a rarely there brother. Despite his young age, he has been taking care of himself and his mother, cooking meals, shopping etc. Now he is taking himself on a journey to another state to attend SHARF – a Rocket Festival – where he hopes to launch his iPod into space. With the help and kindness of strangers, particularly from a silent man named Zed, Alex makes it safely to Albuquerque, New Mexico. However, his journey is far from over.

It is impossible not to love Alex, his naivety and acuity of mind. Disappointed with the failed attempt at sending his iPod into the cosmos, he is distracted by thoughts of discovering more about his long-dead father. With encouragement from Zed and the reluctance of his disgruntled friend Steve, Alex sets off on his mission, recording all his experiences along the way. However, instead of the happy ever after he is seeking, Alex discovers some unexpected truths.

See You in the Cosmos, Carl Sagan is a funny, moving story about an overly optimistic child who, despite his upbringing, has been sheltered from the negativity of the world. Unable to understand his adult companions’ dilemmas, Alex will make readers laugh with his innocent ways of viewing the world. On the other hand, his simplistic view of life will pull on the heartstrings as he begins to realise things are not as straightforward as he initially believed.

Although published by Puffin and therefore classed as a children’s book, See You in the Cosmos, Carl Sagan is much more appropriate for an adult reader. The humour is targeted at those able to understand the innocent blunders of an 11-year-old, which would be lost on a reader of Alex’s age.

The author, Jack Cheng, writes in the style of a child’s speech. Long, breathless sentences, often full of too much irrelevant information, fill up the pages, but this only adds to Alex’s adorableness.

Viewing the world through the eyes of a child, especially one as unique as Alex, gives a new perspective on the trivialities of life. His laid-back personality will make people realise that some things are taken far too seriously or unnecessarily complicated. Without a doubt, Alex will be an inspiration to all.

Be warned, there are references to abuse and schizophrenia, but See You in the Cosmos, Carl Sagan, is a pleasant, hard-to-put-down read that will remain in the mind long after its conclusion.


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What to Read Next

Thin
Author: Ann K. Morris
Published: 10th March 2022
Goodreads Rating: 4.5 out of 5
Reviewed: January 2023

Thin by Ann K. Morris is a fictional story that tackles the topic of anorexia. Told from the point of view of someone in the grips of the illness, it emphasises the workings of the unwell mind and the impact anorexia has on lives, both the sufferer and those around them. Seventeen-year-old Erin did not realise she had an eating disorder until her concerned GP spoke to Erin’s mother, who insists Erin see a psychiatrist. Knowing this would mean gaining weight, Erin runs away to Chicago.

In Chicago, Erin meets a couple of homeless teenagers who show her there is more to the world than being thin. Lin and Ari jump at the chance to eat a plate of food, not knowing when their next meal will be. While Erin believes she needs to lose weight to fit in with her friends at school, Lin and Ari keep away from most people, not knowing how to get out of their situation. The chance meeting between Erin, Lin and Ari allows the characters to choose a new way of life, but only if Erin agrees to accept help for her eating disorder.

Eating disorders can be self-absorbing, which the author demonstrates in Thin when Erin runs away without worrying about what her parents would think. Only through meeting her new friends does Erin begin to understand that her mum has difficulties too, especially married to a man who cares more about sports than his own family.

It is impossible to write a book about eating disorders without any potentially triggering material. Whilst it is not the author’s intention to write anything harmful, people with a severe eating disorder should not read Thin until they are on their way to recovery.

Thin is written almost like a poem with short sentences split over several lines. With only three to five words per line, it is as though the narrative is trying to make itself as thin as possible, just as Erin is doing in the story.

Ann K. Morris should be commended for writing an accurate novel about anorexia. Although it may be too difficult for some eating disorder sufferers to read, Thin will hopefully help others understand the illness and break the stereotypical beliefs many hold about anorexia and other mental illnesses.

Darkness
Author: Victoria Sadler
Published: 1st September 2016
Goodreads Rating: 3.67 out of 5
Reviewed: November 2016

“Violence always gets results.” But at what cost? Victoria Sadler’s dystopian novel Darkness explores an all too realistic scenario set in a not-so-distant future. The western world has fallen due to war and economic collapse. London has become a ghost city due to the death of thousands of people. Those not killed by bombs or deadly viruses succumb to suicide or death by natural causes – if the cold and starvation can be labelled natural.

Laura Lewis is the sole survivor in her block of flats and now needs to make her way through the dangerous streets to St Paul’s Cathedral, where what remains of the State will provide her with safety. Before she reaches her final destination, she is ambushed by an army of women, a threat to the nation, known as RAZR – Resistance Against State Reformation. Jane, the leader of the resistance, believes she has saved Laura from a fate worse than death. But, as Laura discovers, RAZR may result in an even crueller future.

RAZR was born from a hatred of men, a guerilla feminist movement seizing the opportunity to obliterate the patriarchal society. Since the beginning of time, men have oppressed women, regarding them as possessions with which they can do as they please. Despite the apparent equality achieved through past protests, the government (i.e. men) still controls the lives of women. RAZR focus on women’s rights to their own body and are angry at the State’s current use for women: to procreate.

Darkness is full of radical violence, often ending in the mass death of male soldiers. With barely a break to take a breath, the narrative goes from one action scene to the next, heightening the excitement as the novel reaches its climax. As the reader learns more about RAZR and the State, opinions are constantly changed. Who is good, and who is bad? Who can Laura trust? Then, to confuse things even more, Laura is not who she initially appears to be either.

The amount of violence in this novel is disturbing, particularly as the majority of deaths are caused without a guilty conscience. Darkness highlights the horrors of war and the wild nature of humanity. Without men and women living in harmony, there is no peace; on the other hand, complete equality is impossible. Furthermore, is RAZR feminist or terrorist? It is obvious that the human race cannot survive with merely one gender, so is RAZR doing more harm than good by fatally punishing all men?

Overall, Darkness poses more questions than it answers, yet it is a gripping novel. Women, particularly feminists, will enjoy the powerful messages expressed by RAZR, but equally, readers will understand Laura’s hesitation. With so many plot twists to get your head around, you will never get bored of this story. With such an ambiguous ending, it is unclear whether Darkness will remain a standalone novel or be continued with a sequel. Whatever the case, it will be interesting to read what the feminist, Victoria Sadler, comes up with next.

Kids of Appetite
Author: David Arnold
Published: 20th September 2016
Goodreads Rating: 4 out of 5
Reviewed: September 2016

They lived and they laughed and they saw that it was good.

Mosquitoland was the best book I read in 2015 and I was excited to discover what David Arnold would write next. I approached Kids of Appetite with mild trepidation; what if it did not live up to my expectations? I need not have worried – it was brilliant. Dubbed a “tragicomedy”, Kids of Appetite is a combination of realistic, heartbreaking experiences with intellectual humour.

The book opens mid-interview at a local police station where two teenagers, Vic and Mad, are being questioned about a murder their friend has supposedly committed. From there, the story backtracks a week and proceeds to bring the reader up to date. It all begins with Vic running away from home, distancing himself from his mother and her new partner. By chance, a coincidence – a bump, Vic would say – he is found by Mad, who introduces him to a small group of homeless friends. Vic may not have packed in preparation for life on the streets – or a greenhouse, as it turns out – however, he did grab the urn containing his late father’s ashes before racing out of the house. Along with the urn is a letter containing cryptic clues that lead to various locations where Vic’s father wished for his ashes to be scattered. Vic and his newfound friends make it a mission to put his father to rest.

It is not possible to label the general theme of the book. Kids of Appetite is a story full of stories. Each character has their own past, something that led them to the situation they find themselves in now. The group consists of five members – once Vic has been accepted. Baz, at age twenty-seven, is the leader: responsible, caring, and fatherly – until accused of murder. Seven years younger is Zuz, Baz’s mute brother, and finally, Coco, an eleven-year-old with the mouth of a foul old lady. It is Coco, amongst all her swearing and hilarious misuse of words, that coins the name Kids of Appetite, KOA for short, a play on words: they are not solely in want of food, they hunger for life.

Initially, it would appear that the main focus will be on Vic: his father’s death, his mother’s new partner, Moebius (facial paralysis) – a syndrome that results in a lot of bullying and discrimination – and, of course, his flight from home. Yet the remaining members of KOA equally contribute to the overall narrative. Mad, like Vic, knows what it is like to lose a father. Unfortunately, she also knows what it is like to lose a mother. Her life since the fateful car crash that left her an orphan has been full of abuse and uncertainty. Baz and Zuz, on the other hand, have escaped a traumatizing childhood amid the Congo Civil War.

Similar to Mosquitoland, Arnold’s second book is full of intellectual knowledge and humour, complete with references to highbrow material. Vic is obsessed with operatic songs and deeply interested in abstract art, particularly Matisse. He pulls the artist’s work apart in search of meaning and relatable truths. Like Vic, Mad has a particular song from which she draws comfort. The lyrics help her make sense of the world around her and help her to produce her manifesto – Madifesto. She is particularly fascinated by S E Hinton’s The Outsiders. With in-depth theories purloined from her favourite novel, she encourages and advises those around her.

It is essentially the characters that make Kids of Appetite such a fantastic work of fiction. Their background stories are all based on the real-life experiences of many people throughout the world; but it is their opinion of life, their terminology, and their reckless enthusiasm that impacts the reader. Kids of Appetite is a book to be read over and over again. So many phrases can be quoted to explain our own lives and feelings. The entire novel is one big quote to sum up life itself. Although there are many themes, stories and ideas, there is one clear message: Let go. Let go of the past. Let go of the things that hold you back. For Vic and Mad, it is the death of their parents; for Coco, it is abandonment; and for Baz and Zuz, to learn to let go of their violent childhood.

David Arnold is an extremely talented author, seamlessly flowing from one notion to another whilst sweeping the reader into a sea of pure emotion. He may overuse the word “ergo” and have an unconventional penchant for ellipses, but that only adds to the uniqueness of the writing. There may be an excessive amount of expletives but that is overshadowed by the pure genius of the story itself. Kids of Appetite is a book I want to recommend to all. The blurb likens it to authors Rainbow Rowell and Jennifer Niven – I would like to throw John Green into the mix – and should appeal to many Young Adult readers. I could write forever about this book, but I would rather you go and read it yourself. And whilst you read, remember:

They lived and they laughed and they saw that it was good.

Runaway Girl
Author: Casey Watson
Published: 20th October 2016
Goodreads Rating: 4.25 out of 5
Reviewed: November 2016

Casey Watson is a specialist foster carer who temporarily houses vulnerable children in emergency situations. Since working in this field for decades, she has documented her experiences in a series of books, each focusing on a different child. Her thirteenth and most recent book is Runaway Girl, aptly named about a (supposedly) fourteen-year-old girl running away from several distressing situations.

Adrianna arrives on Casey’s doorstep with no possessions, no English and no passport. Apart from knowing she is Polish, Adrianna is a complete mystery to the Watson family and the services involved. With her sixth sense tingling, Casey is certain there is something important that Adrianna is hiding, but despite all her attempts, it is not until an emergency hospitalization that the frightened Polish girl starts telling the truth.

With a background of abuse, homelessness and sex trafficking, Adrianna’s story will open readers’ eyes to the shocking situations in which many foreign children find themselves. Unfortunately, Adrianna is only one out of 5,000 girls in the last decade and a half to be brought to England illegally and forced into prostitution.

Fortunately, Adrianna is lucky to have escaped and found a safe place to stay in the Watson household. Without Casey’s care and determination to provide a future for her, Adrianna would have remained one of the “hidden children” that arrive in England every year.

Casey writes in a novel-like format, describing Adrianna’s circumstances from a carer’s point of view. Slowly revealing the secrets of Adrianna’s past, Casey keeps the reader interested in the same way a fiction author would with a clever plot line. Emphasising Adrianna’s difficulties – coming to terms with the abuse she has faced but also worrying about whether the authorities will allow her to remain in England – Casey appeals to the readers’ emotions, making it clear that, although Adrianna is here illegally, trafficked children have every right to be protected and looked after by British authorities.

Although Casey writes under a pseudonym and alters all names within the book, it is unclear how much of the storyline is true or whether the situation has been accentuated to capture the reader’s attention. Yet, this is not important – people will read this for entertainment, so the accuracy of the content is not as significant as how it is told. Runaway Girl, whilst shocking, is engaging and easy to read, with a satisfying ending.

The Last Dragon Slayer
Author: Jasper Fforde
Published: 1st December 2010
Goodreads Rating: 3.87 out of 5
Reviewed: January 2017

The recent (2016) dramatisation on Sky1 has prompted the release of a new edition of Jasper Fforde’s The Last Dragonslayer, which appeared in bookstores six years ago. Fforde is perhaps best known for his Thursday Next series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.

In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent in her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.

Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. Yet, as she quickly discovers, it is impossible to outrun your fate, especially if Big Magic is involved.

The Last Dragonslayer is a fun book to read that, despite the slow build-up to the promised dragon story, is humorous and engaging. Jasper Fforde is a witty writer who uses genuine, intelligent, and often subtle puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, Fforde is writing for the more intellectual reader. Magic is a concept that has been written about thousands of times and also mocked in parodies of well-known literature. The Last Dragonslayer successfully combines fantasy and humour in a way that avoids ridicule.

Some may argue that The Last Dragonslayer is a young adult novel due to the age of the protagonist and the less highfaluting content compared to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she is and is involved in events and satire that a younger audience may not be able to fully appreciate. 

I particularly enjoyed reading Jasper Fforde’s The Last Dragonslayer. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak-peek chapters at the rear of the paperback! Of the Jasper Fforde books I have read (The Eyre Affair, 2001 and Shades of Grey, 2009), The Last Dragonslayer has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will love this book.


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Curiouser and Curiouser

Over 150 years since Lewis Carroll published Alice’s Adventures in Wonderland, the storyline and characters are still a global phenomenon. As the Victoria and Albert museum demonstrates in their exhibition Alice: Curiouser and Curiouser, the fantasy world of Wonderland continues to inspire artists, writers and members of the public. The immersive display takes visitors on a journey to discover the evolution of Alice’s Adventures in Wonderland, from its humble beginnings in the 19th century to its worldwide celebrity.

Lewis Carroll is the pen name of Charles Lutwidge Dodgson (1832-98), an Oxford don, logician, writer, poet, Anglican clergyman, and photographer. Although Carroll is most famous for his literary works, he did not deliberately set out to become an author. Carroll’s career path changed one afternoon in July 1862, when he took a boat trip and picnic with the daughters of Henry Liddell (1811-98), the Dean of Christ Church College. Affectionately remembered as a “golden afternoon”, Carroll kept the three girls, Alice, Edith, and Lorina, entertained during the boat trip by making up fantasy stories about a girl called Alice and her adventures underground. The “real Alice” begged Carroll to write the story down, and Alice’s Adventures in Wonderland was born.

The “real Alice”, Alice Pleasance Liddell (1852-1934), was only five years old when she met Charles Dodgson for the first time. Dodgson often asked Alice and her sisters to sit for photographs, so that he could experiment with his new camera. The Victorian era was a period of change, particularly in technology, science, art and politics, all of which inspired the story of Alice’s Adventures in Wonderland. Of course, the character Alice was based on Alice Liddell, a girl with a stubborn, curious nature who bullied Dodgson into writing the story down. He presented Alice with a handwritten manuscript called Alice’s Adventures Under Ground as a Christmas present in 1864.

Before giving the manuscript to Alice, Dodgson researched the natural history of animals to make some of his characters, for instance, a dodo, as accurate as possible. Of course, some creatures in the story are entirely fictional. Dodgson also sought the opinion of his friend and mentor George MacDonald (1824-1905), a minister and author who loved the story and suggested Dodgson publish it. By the time Alice received her copy, Dodgson was already preparing the manuscript for publication and extending it from the original 15,500-words to 27,500 words.

Not wanting to publish under his real name, Dodgson decided to create a pseudonym. Inspired by the Latin version of his real name, Carolus Ludovic, he chose two other English names that derived from the same words: Lewis Carroll. Dodgson also wished to change the book title and toyed with Alice’s Hour in Elf-land and other options before settling on Alice’s Adventures in Wonderland. Finally, Dodgson/Lewis was ready for Alexander Macmillan (1818-96), a co-founder of Macmillan Publishers, to print his work. For the illustrations, he approached John Tenniel (1820-1914), who worked tirelessly alongside The Brothers Dalziel, a wood-engraving business in London. By November 1865, the book was published.

Both children and adults enjoyed the “delicious nonsense”, which inspired Carroll to work on a second book. The production time took much longer because Tenniel had other jobs but managed to work on the illustrations from 1869 onwards. Carroll named the sequel Through the Looking-Glass, and What Alice Found There, which was eventually published on 6th December 1871. It rekindled the nation’s love of Alice and the odd characters, as well as introducing new and bizarre creatures.

Most people are familiar with the story of Alice who follows a white rabbit down a rabbit hole. She finds herself in a hall with a tiny door, which she is far too large to fit through. She then discovers a bottle of liquid labelled “DRINK ME”, which she obligingly does, which causes her to shrink in size. Unfortunately, she can no longer reach the key to the small door, which rests on a table far above her head. Yet, she quickly discovers a cake labelled “EAT ME”, and grows to the size of the room. After flooding the room with her tears, Alice picks up a fan and shrinks back down.

Now Alice can fit through the door, where she meets several peculiar characters, including the Dodo, who starts a Caucus-Race, which consists of everyone running in a circle with no clear winner. Whilst Alice is based on Alice Liddell, Carroll based the Dodo on himself. Carroll spoke with a stutter and often introduced himself as “Dodo-Dodgson”. Carroll also referenced Alice’s sisters, Lorina and Edith, by mentioning birds called Lory and Eaglet.

Next, Alice meets the Duchess, who Tenniel based on Quentin Matsys’s (1466-1530) The Ugly Duchess (c. 1513). The painting is said to be a portrait of Margaret, Countess of Tyrol (1318-69), who had the reputation of the ugliest woman who ever existed. Since Matsys painted the portrait 150 years after her death, there is no proof that she looked as grotesque as the caricature. Nonetheless, Tenniel felt inspired by the painting and made the Duchess look equally ugly.

The Cheshire Cat, who belongs to the Duchess, has a distinguishing feature – his grin – and the ability to gradually disappear until only his mouth remains. The phrase “grinning like a Cheshire Cat” predates the Alice books, and according to A Classical Dictionary of the Vulgar Tongue, Second, Corrected and Enlarged Edition compiled by Francis Grose (1731-91), means “one who shows his teeth and gums in laughing.” Carroll may have based the character on Edward Bouverie Pusey (1800-82), the Patristic Catenary (expert on the fathers of the Church) and professor of Hebrew at Oxford University.

There are other characters in Alice’s Adventures in Wonderland and its sequel who may be based on real people. Whether Carroll intended this is uncertain, but Tenniel’s drawing of the Lion and the Unicorn looks remarkably like his Punch illustrations of Prime Ministers William Gladstone (1809-98) and Benjamin Disraeli (1804-88). Whilst the appearance of the Lion and the Unicorn may be Tenniel’s input, Carroll’s reference to a conga eel that taught “Drawling, Stretching, and Fainting in Coils” certainly alludes to the art critic John Ruskin (1819-1900), who instructed the Liddell children in drawing, sketching, and painting in oils.

One of the most memorable scenes in Alice’s Adventures in Wonderland is the Mad Tea-Party, where Alice discovers the Hatter having tea with the March Hare and the Dormouse. Carroll instructed Tenniel to base his illustration on Theophilus Carter (1824-1904), an eccentric British furniture dealer. Carter used to wear a top hat and stand in the doorway of his shop, watching the world pass by. While at the party, the sleepy Dormouse tells Alice a story about three sisters called Elsie, Lacie, and Tillie. This is yet another reference to Alice and her sisters. Lacie is an anagram of Alice; Elsie sounds like “L.C., Lorina Charlotte’s initials; and Tillie is short for Matilda, Edith Liddell’s nickname.

Carroll loosely based the Queen of Hearts on Queen Victoria (1819-1901) because he thought children would recognise her authority. He may also have taken inspiration from the Wars of the Roses (1455-87) because the Queen is angry that the gardeners have planted white roses instead of red.

Not all characters have real-life human counterparts. Through the Looking-Glass has many referenced to nursery rhymes, such as Humpty Dumpty, and features pieces from the game of chess. Dodgson even took inspiration from buildings in Oxford; for example, the “Rabbit Hole” symbolises the stairs at the back of the main hall in Christ Church.

By the end of the Victorian era, the Alice stories and characters extended beyond the books. Products and merchandise containing Tenniel’s illustrations were much sought after, and the stories found new life on stage as part of dance performances and pantomimes. Before his death, the English novelist Walter Besant (1836-1901) said Alice’s Adventures in Wonderland “was a book of that extremely rare kind which will belong to all the generations to come until the language becomes obsolete.” Besant’s statement proved correct, and Alice continues to be a positive role model.

In 1903, Lewis Carroll’s famous book was adapted for film for the first time. With the title Alice in Wonderland, the silent film squeezed as many scenes into a ten-minute slot. At the time, this was the longest film made in Britain. Directors Percy Stow (1876-1919) and Cecil Hepworth (1874-1952) used all the available technology to create live versions of Tenniel’s famous drawings. Twelve years later, American director W. W. Young produced a 50-minute version of the film, albeit still silent.

The first “talkie” version of Alice in Wonderland appeared on screens in 1931, starring Ruth Gilbert (1912-93) as Alice. The following year, the “real Alice”, now married to English cricketer Reginald Hargreaves (1852-1926), visited America to take part in the centenary celebrations of Lewis Carroll’s birth. Although Alice had kept herself out of the public eye for most of her life, her presence in America inspired “Alice Fever”, and the books, merchandise, and films soared in popularity.

The following year, Paramount Pictures produced their version of Alice in Wonderland, which combined the storyline from both Alice’s Adventures in Wonderland and Through the Looking Glass. Previously, Lewis Carroll forbade stage productions to combine the two books, but since his death, producers disregarded his wishes. The film featured Charlotte Henry (1914-80) as Alice, Cary Grant (1904-86) as the Mock Turtle, and W.C. Fields (1880-1946) as Humpty Dumpty.

Without a doubt, the most iconic Alice in Wonderland film to date is Walt Disney’s 1951 animated adaptation. Mary Blair (1911-78) developed the concept for the illustrations, modernising Tenniel’s drawings with bold and unreal colours. Today, Alice is recognisable from her long, bright blond hair, blue dress and “Alice band”, a hair accessory named after the character. The lively script and music earned the film a nomination for an Academy Award for Best Scoring of a Musical Picture, but it lost to An American in Paris.

In 2010, Walt Disney Pictures reproduced Alice in Wonderland as a live-action film directed by Tim Burton (born 1958). It is a much darker, fantasy version of the story, which serves as an unofficial sequel to the original. Alice is now 19 and thought her adventures in Wonderland were all a dream. She soon learns they were not when she falls down a rabbit hole for the second time in her life. The creatures of Wonderland need Alice’s help to defeat the Red Queen, not to be confused with the Queen of Hearts and slay the Jabberwocky, a dragon-like beast written about in Through the Looking Glass.

Burton’s Alice in Wonderland starred many leading actors, such as Johnny Depp (Mad Hatter), Mia Wasikowska (Alice), Helena Bonham Carter (Red Queen), Anne Hathaway (White Queen), Matt Lucas (Tweedledee and Tweedledum), Michael Sheen (White Rabbit), Alan Rickman (Caterpillar), Stephen Fry (Cheshire Cat) and Barbara Windsor (Dormouse). At its release, critics were torn between loving the computer-generated imagery (CGI) and hating that it “sacrifices the book’s minimal narrative coherence—and much of its heart.” Many fans of the original Alice complained the film ruined Lewis Carroll’s work. Having said that, Alice in Wonderland (2010) won an Academy Award for Best Art Direction and Best Costume Design.

The Alice in Wonderland franchise was initially aimed at children, but in the 1960s, the stories began to appeal to artists, particularly those affiliated with the Surrealist movement. Surrealism, as a cultural movement, developed in the aftermath of the Second World War. Artists within the group aimed to change people’s perceptions of the world and explored the desires of the unconscious mind. The founder of the movement, André Breton (1896-1966), claimed: “everyone has the power to accompany an ever more beautiful Alice to Wonderland.” Encouraged by this, several Surrealist artists used Lewis Carroll’s dreamlike characters and storylines as inspiration for their creations.

One Surrealist artist, Salvador Dalí (1904-89), provided illustrations for a limited edition of Alice’s Adventures in Wonderland in 1969. These illustrations are a stark contrast to Tenniel’s original images. Each full-page artwork needs studying carefully to understand and appreciate the scene. Many contained typical Surrealist motifs, such as a melting clock, as seen in The Mad Tea-Party illustration. Alice appears as a stick-figure-like girl wearing a full-length skirt, playing with a skipping rope. On each page, Alice differs in size but is usually tiny in comparison to other elements in the artwork.

The Alice stories and themes also inspired the Psychedelic movement in the mid-1960s. In the United Kingdom, artists combined Wonderland with politics and social issues, and in the US, the stories inspired hallucinogenic artwork and multi-sensory experiences involving sound, images and movement.

Joseph McHugh (b.1939), the founder of the poster design company East Totem West, created kaleidoscopic prints based on characters from Alice’s Adventures in Wonderland. One features the White Rabbit standing on a chequered floor surrounded by objects from the story. Yet, all these elements are difficult to see due to the psychedelic pattern of blues, reds, greens and browns. Through his work, McHugh aimed to appeal to the hippie and freethinker generation of the 1960s.

Whilst Wonderland lent itself to the more abstract forms of art, it also appealed to more traditional artists, such as the Ruralists. Ruralism aimed to revive and update former painting styles, such as those by English landscape artists and the Pre-Raphaelites. The movement wanted to focus on typically English themes, including cricket and classic novels by English authors. They particularly admired the works of Thomas Hardy (1840-1928) and music by Edward Elgar (1857-1934).

Pop Artist Peter Blake (b.1932) and his contemporaries formed the Brotherhood of Ruralists in 1975 after becoming disillusioned with London and their former art styles. Their aims were “to paint about love, beauty, joy, sentiment and magic. We still believe in painting with oil paint on canvas, putting the picture in the frame and hopefully, that someone will like it, buy it and hang it on their wall to enjoy it.”

After forming the Ruralists, Blake’s work frequently included literary subjects, such as works by William Shakespeare (1564-1616) and Lewis Carroll. During the 1970s, Blake produced a series of illustrations called Through the Looking Glass and What Alice Found There. Rather than replicate the Victorian-style illustrations by Tenniel, Blake painted Alice as a modern (seventies) girl. In one picture, titled ‘Well, this is grand!’ said Alice, Queen Alice stares out at the audience while a typically English country garden unfolds behind her.

During the 1950s and 60s, commercial artists used Alice, Wonderland and other characters to advertise brands and products. The release of the Disney film increased the popularity of Alice in Wonderland and companies fought to partner with the franchise. Sweet manufacturer Barratt’s used the Disney illustrations to advertise their Christmas crackers, and Ford Motor Company used coloured versions of Tenniel’s drawings to promote their new Falcon Wagons. The Irish brewery Guinness also partnered with the Alice franchise – one of the most peculiar pairings. The company hired artists to produce illustrations that loosely resembled Tenniel’s illustrations, combined with some Lewis Carroll-esque text. One poster reads: “He thought he saw a Dome that held Discoveries galore; He looked again and saw it was A Guinness by Thames Shore. ‘We know it’s Good for You,’ he said, ‘Need man discover more?'”

Although Tenniel and Disney created the two most popular visual versions of Alice and the other characters in Wonderland, every artist and designer has different visions and competes to develop new interpretations. This is particularly the case in theatrical and dance performances. The costumes and scenery need to stick close enough to Carroll’s original descriptions for the audience to recognise the familiar story, but they cannot be copies of previous designs. As technology has developed, the stage settings and special effects have become very ambitious, but there continues to be the issue of making fantastical costumes practical for the stage.

The V&A exhibition showcases several costumes worn on stage in various performances. Since Disney’s interpretation of the story, Alice is frequently depicted in blue, which many costume designers continue to replicate. To stand out from other stage shows, some designers look at Tenniel’s original illustrations, such as those in the young children’s book The Nursery Alice (1890), in which the main character wears a yellow dress. This is the colour the designers used for the costume in Alice, an opera performed in Hamburg in 1992.

Off the stage, fashion designers have used Alice in Wonderland as their inspiration for new clothing lines and one-off pieces on the catwalk. Designers include Christian Dior (1905-57), Vivienne Westwood (b.1944), Viktor&Rolf, Thom Browne (b.1965) and various Japanese-punk fashion houses.

Visiting the Alice: Curiouser and Curiouser exhibition at the V&A is almost like falling down a rabbit hole. From beginning to end, the installations look as wonderfully creative and psychedelic as Wonderland. Each section represents a different part of the Alice stories as well as various interpretations over the past century and a half. The further into the exhibition one travels, the “curiouser” it becomes until you start believing the Cheshire Cat that “We’re all mad here.”

The exhibition has more value for adults, who will appreciate the wealth of information and the opportunity to remember the stories and characters from childhood. Of course, it will also appeal to children, who will enjoy searching for the White Rabbit, watching film clips, and playing with fun-house mirrors and other interactive displays. The lights, sounds and twisting paths throughout the exhibition make visitors feel bewildered as Alice when she first entered Wonderland. You will likely exit the museum feeling entirely bonkers. “But I’ll tell you a secret: All the best people are.”

Alice: Curiouser and Curiouser is on now until Friday 31st December 2021. Tickets for the week ahead are released every Tuesday at 12.00. Adult tickets cost £20 but children under 12 can visit for free.


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The Story of A Bear

Once upon a time, Michael Bond was doing some last-minute shopping in Oxford Street when it started to snow. Seeking shelter, he found himself in the toy department of Selfridges. Sitting on a shelf was a very lonely, small bear. Michael thought to himself, “I can’t leave him there all over Christmas,” purchased the bear and took him home. Michael named the bear Paddington after the nearest railway station to his house.

A few weeks later, Michael sat at his typewriter, waiting for inspiration to strike, when he looked up to see the little bear sitting on the mantelpiece. Remembering the moment he found the bear, Michael wondered, “what would happen if a real bear landed up on Paddington station.” So, he began to write.

Until 31st October 2021, the British Library is hosting “a small but perfectly formed exhibition celebrating everyone’s favourite bear.” For more than 60 years, Paddington Bear has entertained children (and adults) all over the world. The exhibition provides fun activities for younger visitors, whilst older visitors take a trip down memory lane and rediscover the many faces of Paddington that they have come to know and love.

Michael Bond (1926-2017) started writing about Paddington Bear while working as a BBC television cameraman on the children’s television show Blue Peter. When not at work, Bond sat at his typewriter, writing about an anthropomorphised bear from “darkest Peru” with a fondness for marmalade sandwiches. Unsure whether anyone would publish his story, Bond entrusted his manuscript to his agent at the BBC, Harvey Unna (1911-2003). While at work a few days later, Bond received a phone call from Barbara Ker Wilson (1929-2020) at Collins publishing company. She told Bond she read the entire story in one sitting and enjoyed the simple style and “endearing central character”.

Barbara Ker Wilson suggested Peggy Fortnum (1919-2016) as the illustrator for Bond’s children’s book. Her pen-and-ink drawings captured Paddington’s charm and worked perfectly with the storyline. On 13th October 1958, A Bear Called Paddington went on sale. It proved extremely popular and sold out by Christmas.


Paddington Bear is a friendly, polite bear from Peru, where he lived with his Aunt Lucy. Before he travelled to England, Paddington’s name was Pastuso, the same name as his uncle. Sadly, his uncle passed away, and it was time for Aunt Lucy to move into the Home for Retired Bears in Lima. So, Paddington set off with his hat on his head, his suitcase in hand, and a label around his neck that said, “Please look after this bear. Thank you.”

Bond’s idea for Paddington’s travelling attire was inspired by his memories of the children evacuated during World War II. They all wore labels around their necks and carried their possessions in small suitcases.

After travelling as a stowaway on a lifeboat and eating copious amounts of marmalade, the little bear arrived at Paddington Station, where the first story begins. Paddington is found on the platform by the Brown family, who, after hearing his story, take him home to 32 Windsor Gardens near Notting Hill. The Brown’s find Pastuso difficult to pronounce, so name the bear Paddington, after the train station.

Peggy Fortnum’s illustrations for the Paddington books were black and white, although other artists added colour later. During the 1990s, R. W. Alley produced coloured drawings for new editions of the books. Alley’s style is similar to Fortnum’s, and he made sure Paddington was still recognisable in his blue duffle coat and hat.

Alley depicted Mr Henry Brown as a kind-looking ageing man with glasses and a moustache. According to the story, he is a hapless but well-meaning City of London Risk Analyst. He gladly welcomed the curious little bear into his home, as did his wife, Mary. Mrs Brown is more seriously-minded than her husband, but still just as friendly. Michael Bond based Mr and Mrs Brown on his parents. His father was an anxious man, whereas his mother was more impulsive.

The Brown children, Judy and Jonathan, were thrilled to welcome Paddington to the family. The Browns were meeting Judy off the train from boarding school at Paddington Station when they found the bear.

During the 1960s and 70s, children’s television shows, such as Jackanory, serialised readings of the stories. In 1976, the BBC asked Bond to write a television series about Paddington. Bond based the storylines on some of the comedic incidents from the books. The series was animated by Anglo-French stop-motion director Ivor Wood (1932-2004), who also worked on The Magic Roundabout, The Wombles and Postman Pat.

For the series, Wood suggested creating a puppet of Paddington, including his hat, duffle coat, label and suitcase. Stop-motion animation is created by taking a series of photographs showing the characters in slightly different positions. When the shots are shown rapidly, one after the other, the characters appear as though moving. Since stop-motion is a lengthy, time-consuming process, Wood proposed the rest of the characters and background scenery should be two-dimensional drawings. Only Paddington and the things he touches were three-dimensional, for instance, when Mr Brown handed Paddington a 2D jar of marmalade, it became 3D when Paddington touched it.

As well as the Brown family, there are many characters in the Paddington stories. Most people Paddington met were very welcoming, but others needed reminding to be kind with a hard stare. Paddington received a mixed reception from the Brown’s housekeeper, Mrs Bird. Whilst she was often strict and got annoyed with Paddington’s mishaps, she also gave him good advice and protected him from harm. Bond based Mrs Bird on Mrs Hudson from the Sherlock Holmes stories.

Paddington made many friends in the local community, particularly the market stallholders in Portobello Road. Mrs Bird often sent Paddington to buy fruit and vegetables from the traders. The road is also famous for its antique stalls and the location of the shop belonging to the fictional antique dealer, Mr Samuel Gruber.

Mr Gruber was a polite Hungarian immigrant who often called Paddington “Mr Brown”. He understood how Paddington felt about finding himself in a strange country and soon became Paddington’s best friend. Bond wanted Paddington to have a friend with whom he could relate and, despite the age difference, Mr Gruber fit the bill. Most mornings, Paddington visited Mr Gruber for “elevenses”, and they occasionally took trips around London and beyond to see the sights.

In some of the later stories, readers learn more about Paddington’s Aunt Lucy. She looked after him when his parents died in an earthquake, taught him English and told him all about England. In 1978, Gabrielle Designs, the company granted the first licence to manufacture a Paddington Bear soft toy, produced a toy version of Aunt Lucy. She has a similar hat to Paddington but wears clothing more suited to Peruvian culture.

Paddington told the Browns about Aunt Lucy in the very first story. When he arrived at 32 Windsor Gardens, he wrote to Lucy to tell her he had arrived safely in England. He also told her his new name, which Lucy said she liked in her response. Paddington and Lucy often kept each other informed through letters and postcards. These were published in the book Love from Paddington in 2014, containing illustrations by both Fortnum and Alley.

Paddington tried to be nice to everyone and never wished to upset anyone. Unfortunately, there is one character that always refused to be friendly. This was Mr Reginald Curry, the Brown’s bad-tempered neighbour. He is described as a nosy, arrogant, penny-pinching man who often ordered Paddington to run errands for him. Rather than call Paddington by name, Mr Curry rudely called him “Bear”. Mr Curry frequently received his comeuppance as the victim of Paddington’s misadventures.

The bear Michael Bond purchased in 1956 was remarkably small in comparison to be bear depicted in the Paddington Books. Even the version made by Gabrielle Designs is more than double the size of Bond’s bear. The toy wears bright red wellington boots, which have since become synonymous with Paddington. In the books, Paddington was usually barefoot, only wearing boots in the snow.

When the Browns first met Paddington, all he wore was a “funny kind of hat” and a label round his neck. Paddington told them the hat belonged to his uncle in Peru, who passed away before the story began. Paddington often kept an emergency marmalade sandwich under the hat.

It is difficult to imagine Paddington without his blue duffle coat, but he did not arrive in London wearing one. The next day, Mrs Brown took Paddington on a shopping expedition, where she bought him a blue duffle coat with a red lining. Bond based his description of the coat on one he used to wear.

As of 2021, over thirty official Paddington books have been released. Michael Bond finished the final book, Paddington at St. Paul’s, shortly before his death in 2017. It was officially released on 27th June 2018 to mark the anniversary of the day that Michael Bond died and the 60th anniversary of A Bear Called Paddington. Throughout these books, Paddington had many adventures and mishaps, learned new things, and, most importantly, had fun. Several artists have taken on the job of illustrating the books, but they all try to replicate Peggy Fortnum’s original Paddington.

David Mckee (b.1935), the author and illustrator of Elmer the Patchwork Elephant, produced illustrations for a few of the Paddington books, including the story Paddington’s Busy Day (1987). Whilst the illustration style is different to Fortnum’s drawings, Paddington is recognisable in his hat, duffle coat and wellington boots. One artwork on display at the British Library shows Paddington’s attempt at cleaning the loft. Things did not go to plan, and Paddington put his foot through a loose floorboard, losing all his marmalade sandwiches in the process.

In 1971, Kazimierz Piotrowski translated some of the Paddington books into Polish. Jan Marcin Szancer (1902-73), a well-known children’s illustrator in Poland, provided the illustrations for these versions. Paddington looks quite different without his blue coat, but he still wears a hat, albeit yellow. The drawing style is unlike the English pen and ink versions, yet the story remains the same. The illustration on the Polish version of the first Paddington book represents chapter five, Paddington and “The Old Master”. In this story, Paddington cleaned one of the Browns’ paintings to see if an older one was hiding beneath it. There was not, but by “cleaning” the canvas, Paddington created a new painting, which went on to win a competition.

During the 1970s, the versatile draughtsman Fred Banbery (1913-99) worked alongside Bond to produce picture book versions of the Paddington books for younger children. Whilst the original books contained illustrations, they did not class as picture books. Banbery’s artwork covered the entire page, leaving space for the simplified text written by Bond. These books became known collectively as the “Young Set”.

As part of the exhibition, screens played clips from a couple of films and television shows based on Paddington Bear. Following the success of the 1976 stop-motion series, Hanna-Barbera Productions produced an animated cartoon version, which first aired in 1989. The stories are based on the books but with the extra character David, Judy and Jonathan’s American cousin. In 1997, a Canadian company released an alternative cartoon series called The Adventures of Paddington Bear.

In 2019, StudioCanal and Heyday Films released a three-dimensional computer-generated cartoon of The Adventures of Paddington. So far, two series have aired on Nickelodeon, and a third is in development. The series brings Paddington into the 21st century with up-to-date technology. Older fans may dislike the contemporary twist, but it is successfully introducing the beloved bear to younger generations. This year, the series won a Daytime Emmy for Outstanding Pre-School Children’s Animated Series. Paddington Bear is voiced by Ben Whishaw (b.1980), and the theme music is written and performed by Gary Barlow (b.1971).

Ben Whishaw is also the voice of Paddington in the recent Warner Bros. film adaptations, Paddington (2014) and Paddington 2 (2017). Originally, Colin Firth (b.1960) was announced as the voice of Paddington, but the actor did not think his voice was right for the role. Many well-known actors starred in the films, including Julie Walters (Mrs Bird), Jim Broadbent (Mr Gruber) and Peter Capaldi (Mr Curry). Hugh Bonneville (b.1963) starred as Mr Brown, whose personality differed from the books. Instead of welcoming Paddington, Mr Brown initially refuses to let Paddington move in with his family. A third film is expected to release in 2023.

Paddington Bear has not lost his appeal since he first appeared sixty years ago. Michael Bond’s books are still read and sold across the world, and millions of people have watched the films and television shows. Paddington also crops up in other areas of popular culture, away from the pages and screens. In 2006, Royal Mail released Paddington Bear 1st class stamps as part of their Animal Tales series. Paddington has also appeared on the labels of Robertson’s Golden Shred marmalade. In 2017, to coincide with the release of Paddington 2, Marks & Spencer featured Paddington in their Christmas television advert, in which Paddington mistook a thief for Father Christmas.

Paddington’s most recent endeavour is partnering with UNICEF to help build a world where every child is happy, healthy and safe. For £8 a month, children in the UK, Australia, and New Zealand can receive regular postcards from Paddington telling them about his adventures in foreign countries and the children who live there. The money spent on subscriptions goes directly to UNICEF and the children they support.

When Michael Bond sat down at his typewriter and tapped out the first words of A Bear Called Paddington, he had no idea Paddington would become a worldwide sensation. In 1997, Bond was appointed Officer of the Order of the British Empire (OBE), and in 2015, Commander of the Order of the British Empire (CBE) for his services to children’s literature. As well as Paddington, Bond wrote about the adventures of a guinea pig named Olga da Polga and created the children’s television series The Herbs (1968) and The Adventures of Parsley (1970).

Several items in the British Museum’s exhibition are on loan from Karen Jankel, Michael Bond’s daughter. Jankel helped Bond write the book Paddington Goes to Hospital (2000), aimed at reassuring children about overnight stays in hospitals. During the COVID-19 pandemic, Jankel spoke out saying, “We’re all going through the most terrible trauma at the moment and I think if everybody could be more like Paddington we will probably come through a bit more unscathed.” Those familiar with the Paddington stories will likewise agree.

The British Library wished to create a trip down memory lane whilst also appealing to the younger generation. They succeeded in both aims and proved that Paddington is one of the world’s most-loved fictional bears. The exhibition also introduced the author, who for many years has been little more than a name. It is often easy to forget that authors are “normal” people with lives of their own. Although Bond passed away a few years ago, Paddington will continue to delight young and old readers for many years to come.

Paddington: The Story of a Bear is open until Sunday 31st October 2021. Tickets cost £8 for adults and £3 for children age 12-17. Children aged 11 or younger may visit for free. The British Library recommends pre-booking tickets.


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Jodi Picoult

A few weeks ago, I wrote an article about how to write a book review. While writing, I discovered that I have, to date, written 392 book reviews, of which a list is available here. Many of my reviews are about pre-published books sent to me by the author or publisher via NetGalley or Goodreads, but I also review books of my choice. Examples of the latter include books by American author Jodi Picoult.

Jodi Picoult (born 1966) is the author of over 25 novels that tackle a wide range of controversial or moral issues. She is adept at tackling matters in a sensitive, honest way, whether they involve abortion, assisted suicide, race relations, eugenics, LGBT rights, or school shootings. Geoff Hamilton and Brian Jones, the authors of Encyclopedia of Contemporary Writers and Their Works (2020), described Picoult as “a paradox, a hugely popular, at times controversial writer, ignored by academia, who questions notions of what constitutes literature simply by doing what she does best.”

I first came across Jodi Picoult in 2008 when my A-Level Religious Studies tutor suggested reading My Sister’s Keeper to help with our medical Ethics Module. Not only did I enjoy the book, but it also rekindled my love of reading. Picoult’s writing ability is exceptional, and her turn of phrases are almost poetical. It is no surprise that Picoult has won at least 14 awards and honours.

In 2014, I decided to write reviews of all Jodi Picoult’s novels. So far, I have only managed to write about eight books, but I plan to continue this goal in the future. (Although the 20+ books on my to-read pile suggest this will not be achieved any time soon!)

My Sister’s Keeper (reviewed 2015)

“If you use one of your children to save the life of another, are you being a good mother or a very bad one?”

My Sister’s Keeper was the first Jodi Picoult novel I read. (I have since read all Picoult’s books to date) I was not expecting much when I first picked it up, especially as I was reading it for a Medical Ethics module at college. Yet this book rekindled my love of reading, and suddenly, after only reading one story, I was asking for Jodi Picoult books for my birthday.

Many people may be familiar with the storyline, even if they have not read the book, as My Sister’s Keeper shot to fame when the film version hit the cinemas. Thirteen-year-old Anna Fitzgerald was Rhode Island’s first genetically engineered baby, created to provide her older sister Kate with the means to survive acute promyelocytic leukaemia. However, over the next few years, Kate relapses resulting in Anna going under numerous procedures, such as bone marrow extraction, to save Kate’s life. Now things have got so bad that Kate will die unless Anna gives up one of her kidneys, yet unwilling to do this, Anna hires a lawyer, Campbell Alexander, to sue her parents for the rights of her own body.

From reading a synopsis, the reader can already see that My Sister’s Keeper is going to be an emotional story, but what made me love the author so much?

The story was told from six points of view: Anna, Jesse (older brother), Sara (mother), Brian (father), Campbell and Julie (guardian ad litem). Notice that Kate was not one of the narrators, which leads us to speculate from the very start that Anna wins the case and Kate dies. Within the six main characters, there is no antagonist – unless you count cancer – and in all of them, the reader can find something relatable.

In one of the chapters, Jesse pronounces that Kate is the martyr, Anna the peacekeeper and himself the lost cause. With Anna, we can recognize the struggle to follow the decisions laid down for us by other people – a time when we have no choice of our own. Jesse represents the times when we have been ignored and forgotten because of bigger or more important events, thus resulting in attention-seeking behaviour. Brian, the firefighter, the man who wants to save everyone, cannot put out the metaphorical fire plaguing his family. Sara, whose narrative starts in the past rather than the present day, shows us how easy it is to get wrapped up in one problem (or daughter), ignoring everything (or everyone) else.

One great thing about all Picoult’s novels is that they are not focused on one storyline. Granted, this book focuses on the trial and Kate’s illness, but the inclusion of Campbell and Julia’s voices provide an additional subplot. Julia is not thrilled to discover that she will be working alongside Campbell, a person she knew from school with whom she had a difficult past. Since then, Julia has found herself unlucky in love and blames Campbell for this. Campbell, on the other hand, has troubles of his own and needs a service dog with him at all times. Yet, he is self-conscious about people knowing the reason behind this and often comes up with creative lies to stop people from asking questions. “Maybe if God gives you a handicap, he makes sure you’ve got a few extra doses of humour to take the edge off.”

Another reason Picoult’s books are so great is that the reader learns something every time. My Sister’s Keeper is full of medical and legal jargon, which may go over some people’s heads. Yet, it is also bursting with random bits of knowledge, for example, how to treat a fire, facts about astronomy, and many other interesting details that the characters use as metaphors to describe their experiences.

My Sister’s Keeper is a story that will stay in people’s hearts and minds for a long time. We never learn who the narrator of the prologue was, but we immediately assume that it is Anna and that she wants Kate to die. By the end, we are still unsure who the character was, but if it was Anna, we see it in a completely different light. This is not a book about whether it is ethical for Anna to be Kate’s donor; it is not a cancer story. Instead, it is a message about the right for each person to have choices about their lives.

A warning to potential readers: this book could break your heart, shock you or leave you in tears. My Sister’s Keeper is full of irony. For instance, Jesse’s experimentation with arson, causing fires that are subsequently put out by his father. But the biggest sense of irony and the biggest shock is the ending (FYI this is the complete opposite to the film ending). After everything that Anna has achieved, devastating circumstances result in the same conclusion that it would have had Anna sat back and done nothing. Yet this does not make it a pointless story. Despite Anna’s actions almost tearing the family apart, it also wakes them from the stupor that Kate’s illness has put them in and makes them realise how precious everything else in their life is too.

I highly recommend this book to everyone, and if you have not read a Jodi Picoult novel before, I strongly suggest you begin with this one. It is suitable for adult and adolescent readers, especially those who like to think about hypothetical, moral questions. My Sister’s Keeper gets you questioning your own choices and actions within your own life and may even make you view the world slightly differently.

The Storyteller (reviewed 2014)

Jodi Picoult is the bestselling author of numerous novels, with My Sister’s Keeper being the most well known. All of her stories are well written, although it is still possible to notice improvements in the writing over the years right up until now with her latest, The Storyteller, which quite possibly could be her best yet.

Arguably, The Storyteller does not quite read like a typical Jodi Picoult novel. This is, in part, because of the nature of the story. Most of her previous books deal with medical ethics and/or court cases, whereas this story features neither. The Storyteller contains a combination of past and present – the main focus being on the Holocaust.

Four people narrate the novel: two in the present day and two giving an account of their experience during the Second World War. It begins with Sage Singer, a 25-year-old, hermit-like woman with a disfiguring facial scar – the result of a terrible accident, one that also led to the death of her mother. For the past three years, Sage has been participating in a grief group – a place where people who have lost loved ones can come together and talk about their feelings. After three years, surely Sage would no longer need the help of the group? However, she still attends, not because she finds it helpful, but for the opposite reason. She even says herself: “If it were helpful I wouldn’t still be coming.” It unfolds that she still blames herself for her mother’s death despite the reassurances that it was an accident and not her fault.

It is through the grief group that Sage meets the elderly Josef Weber. After becoming friendly and discovering that Sage comes from a Jewish family, Josef confesses to something terrible – he was a Nazi during the war. He killed people. He wants Sage to represent all the Jews he killed and forgive him. Then he wants her to help him die.

While Josef recounts his experience of being part of the Nazi party, Picoult provides another account. Minka, Sage’s grandmother, describes the terrors she faced as an imprisoned Jew suffering fates such as the deaths of all her family and friends and her time in Auschwitz. Another element of the novel is the vampire story Minka wrote as a teenager. This is interspersed between the other chapters of the book. Unwittingly, Minka’s fictional tale reflects the alienation and destruction of the Jews. The final character is Leo who, like Sage, is narrating the present day and trying to locate ex-Nazi members to be punished by the government.

One thing to praise Picoult for, not just in The Storyteller, but also in all her novels, is the amount of in-depth research she undertakes to make her stories as accurate as possible even though they are fictional. Minka’s account was written in such a way that it was almost believable that Picoult had been there and experienced it herself. She even learnt to bake bread so that she could write from the point of view of a baker. This is pure dedication!

The Storyteller is an amazing, beautiful book that informs, shocks and stays with you for a long time. You will question your morals and ability to forgive. Is anyone entirely evil? Is anyone entirely good? Perhaps we are both, so why should anyone have the right to treat others as inferior to themselves?

Leaving Time (reviewed 2015)

Jodi Picoult keeps getting better and better. Her latest novel, Leaving Time, explores a daughter’s search for her mother, who mysteriously disappeared ten years earlier. Jenna Metcalf is a thirteen-year-old girl living with her grandmother who is determined to discover the whereabouts of her mother, who has not been seen for ten years, since a tragic event at a local elephant sanctuary.

Jenna recruits the help of Virgil Stanhope – an ex-policeman who has gone into hiding – and Serenity Jones – a failed psychic. As the three of them look into the events of a decade ago, they begin to piece together possible scenarios resulting in a woman vanishing without a trace. But just as importantly, they try to explain the reasons for a mother to abandon her daughter.

Jenna’s mother, Alice Metcalf, was a scientist who loved to study the grieving processes of elephants. Although Jenna tells one part of the story, Alice provides the reader with a different story – one of the past, one of Africa, one of elephants. As with many of Picoult’s novels, Leaving Time is not purely a piece of entertainment; it teaches the reader something new. Through Alice, Picoult unleashes a torrent of information about the lives of elephants in Africa and explains their behaviours. She explains what happens to the animals that are captured by circus trainers or zoos, as well as the work a sanctuary may do to save the lives of these creatures.

Alice and Jenna are not the only voices of this story. Virgil and Serenity have chapters to describe things from their perceptions. What is great about this is that although the main storyline is about Jenna’s search for her mother, Virgil and Serenity provide additional stories alongside it. Jenna’s interaction with Virgil helps him deal with his past and come to terms with the mistakes he may have made when investigating the original tragedy at the sanctuary. Likewise, Jenna helps Serenity believe in herself again and to focus less on her past failures.

Picoult’s writing, as always, is beautiful and sucks the reader into the narrative. It is easy to relate to all the characters in some way and understand a little of what they are going through despite having never been in their situation. Through her ability to do this, Picoult engages the readers from beginning to end. Fans of Picoult’s other novels, such as My Sister’s Keeper, will be familiar with Picoult’s surprising plot twists. Leaving Time tops all of those and will leave the reader almost breathless and in awe of Picoult’s imagination.

It is with no doubt that Leaving Time is an excellent novel exploring numerous themes, from a mother’s love to the paranormal. It entertains as well as educates, leaving the reader a lot more knowledgeable by the very end. It makes you think, it makes you hope, and it makes you want to keep on reading. Glamour magazine defies us “not to be gripped” and, after reading it, you will agree that is not entirely possible.

Nineteen Minutes (reviewed 2016)

Your son says the bullying was unbearable. But his revenge was murder. What would you do?

Nineteen Minutes 
is perhaps Jodi Picoult’s most controversial novel, as well as one of the longest. Lots of things can happen in nineteen minutes, including a school shooting resulting in the deaths of ten people. This is what happens at the beginning of this book, leaving hundreds of teachers and students emotionally scarred for the remainder of their lives. Picoult explores the reactions of a community whose ideas of safety have shattered, the grief of the victims and their families and, perhaps most importantly, the heartache of the parents of the shooter.

Seventeen-year-old Peter Houghton has had enough of the bullying that he has endured throughout his entire school life. He has no friends, is constantly miserable, possibly suicidal, and so, on a typical morning in March 2007, he decides to permanently fix the situation, unthinking of the consequences. But why did he go to such extremes? What circumstances in his life led to firing a gun as the only solution?

As the evidence is gathered in the lead up to the court trial, many characters question their involvement in Peter’s life. Firstly there is Josie Cormier, a straight-A student who swapped her childhood friendship with Peter for popularity and her boyfriend Matt, a particularly aggressive bully. Secondly, there is Alex Cormier, Josie’s mother, who destroyed her friendship with Peter’s mother after finding their five-year-old children playing with guns in the Houghton’s basement.

If Peter’s father had never owned a selection of hunting rifles, would Peter ever have thought of guns as a way out of his predicament? On the other hand, Lacy Houghton blames herself for not noticing how badly her son was suffering, not just at school but home as well, where he had to live up to the memory of his saint-like older brother who died in a car crash the previous year.

Naturally, a tragic event such as this changes people, but not always in a negative way. Relationships begin to blossom as characters realize how close they were to losing the ones they love. Alex takes a step back from her demanding job to comfort Josie in the aftermath, thus feeling closer to her than she ever has done before. Alex, a single mother, also opens herself up to a romantic relationship, something she has had no time to consider up until now.

All the while, Defense Attorney Jordan McAfee, who some readers may remember from Salem Falls, fights a losing battle to get Peter acquitted by arguing and prying into Peter’s emotions to discover his reason for committing murder.

What I like about Picoult’s novels is that there is more to them than a simple storyline. While the story plays out and plot twists happen, the reader is learning something new. In Nineteen Minutes, Picoult provides insight into midwifery, psychology and economics – things that are not synonymous with the shootings.

Readers will constantly question whose side of the story they are on. Hundreds of people grow up being bullied and will understand how Peter was feeling, yet they would not pick up a gun. Likewise, by putting themselves in the shoes of the victims, readers will think about how they would feel in the same situation, however, would anyone be willing to admit that they made someone else’s life a living hell? There is no simple conclusion to Nineteen Minutes; someone will always lose. Nevertheless, Picoult’s fantastic writing skills provide an enthralling story of love and loss.

I cannot recommend this book to readers in general due to the nature of the themes found in the story. Gun crime and school shootings are sadly still an occurrence in the present time, particularly in America, therefore, there are thousands of people who have been affected by such an event, whether directly or indirectly, as part of a local community. Some readers may find Nineteen Minutes challenging and upsetting, which is why I am not going to encourage everyone to read this book. However, Picoult has excelled herself with this novel, and it would be a shame for people not to read it. Fans will not be disappointed with her writing and will love all her characters, possibly even Peter!

Small Great Things (reviewed 2017)

Jodi Picoult has been my favourite author since I first came across her novels in 2008. With twenty-three novels under her belt, she continues to delight readers with her page-turning stories. Most of Picoult’s books contain a moral issue, often, but not always, in the form of medical ethics, as well as a hefty court case. Although following along similar lines, Small Great Things is a radical, revolutionary book, which, with great courage, Picoult has written with the intent to expose the reader to truths that most of us, as a society, are intentionally oblivious to.

The gist of the storyline is a baby dies whilst under the care of a nurse, prompting the grieving parents to take her to court with the accusation of murder. Although that sounds like an interesting story, it barely begins to describe what the book is about. The character on trial, Ruth, is an African American labour and delivery nurse. In this day and age, race is not so much of an issue. Yet, the parents of the baby are White Supremacists: seriously racist with the belief that white people are the master race. The father, Turk, refuses to let his wife and child be treated by Ruth, but circumstances result in her being the only nurse available to watch Davis. Unfortunately, it is at this moment that the baby happens to go into cardiac arrest. Although the reader knows that Ruth is not at fault, Turk insists she murdered his child – but is he accusing her of medical negligence or punishing her for being black?

Three characters, all with different views and experiences when it comes to racism, alternately narrate Small Great Things. Ruth and Turk represent the extremes on either side of the scale. Ruth experiences first-hand the negative impact of prejudice in the American system and society, not only through this court case but in everyday life as well. She also reveals the difficulties growing up in a predominately white environment, never feeling like she fitted in with her peers. On the other hand, Turk spent his teenage years attending KKK rallies, participating in a white power movement, and beating up anyone different: black, foreign, gay, Jewish and so forth.

The third character represents the majority of white people living in America. Kennedy is a public defender and the lawyer assigned to Ruth’s case. Like most of the population, she believes that she is not racist and persuades Ruth to leave the colour of her skin out of the argument. However, as she gets to know her client, she realizes that it is nigh on impossible to ignore racial prejudice.

Picoult shocks the reader on two accounts: one, the way that people of colour have been, and still are, treated; and two, the revelation that an invisible empire of White Supremacists is living amongst us. Yet, there is a third way in which Picoult provokes outrage – she indirectly accuses the reader of being racist, too.

There is always something to learn in a Jodi Picoult novel, for instance, medical terminology or how a court trial is conducted. Small Great Things provides more eye-opening information than her previous books, unveiling facts about such a controversial subject.

Through Kennedy, the reader’s eyes are opened to the racial discrimination, to which we all turn a blind eye. Ignored are the difficulties African Americans suffer when going shopping, applying for jobs, attending school, walking down the street, sitting on a bus, and so forth. Picoult asks me as a reader to think about how my life has been affected by racial discrimination: being served politely in shops because I am white, not having my ethnicity questioned when applying for college etc. Living in Britain, I have not experienced openly hateful comments or behaviours towards people with a different skin tone – I used to believe this was primarily an American problem. Yet, Small Great Things has made me think about the hierarchy of power within society, particularly in regards to the ethnicity of those at the top, compared with those at the bottom.

Jodi Picoult sat on the idea of writing a book about racism for well over a decade, yet, it is particularly apt that it is published now, with the current predicaments America is facing. Although we have come a long way in attempts to achieve equality for all – compare the trial in To Kill A Mockingbird to Picoult’s version – recent events have revealed that we are nowhere near.

Small Great Things will shock everyone who reads it regardless of their ethnicity and so forth. Many may find it uncomfortable to read, become upset or outraged, and even feel like they are being directly targeted. If this is the case, then good – it should do that. Everyone needs to read this book. On the one hand, it is a brilliant, well-told story with a beautiful, almost poetic narrative, and, on the other, it causes us to face up to the issues we are forever making light of or overlooking entirely. We have grown up believing that racism is a form of hatred when really it is about power. However Small Great Things makes you feel, it is worth reading, especially for the satisfying ending – one that you do not see coming.

Handle With Care (reviewed 2015)

As with most of Jodi Picoult’s novels, Handle With Care contains a deeply moral issue regarding abortion, especially in the case of the baby having a life-debilitating illness. Willow O’Keefe is six years old but only looks half that age. Suffering from Osteogenesis Imperfecta (Brittle Bones Disease), Willow will never live a normal life.

After a disastrous trip to Disney Land, Sean O’Keefe plans to sue the authorities for the way he and his wife, Charlotte, were treated after Willow broke yet another bone. However, once Charlotte learns about Wrongful Birth lawsuits, she decides to take action against her obstetrician with the argument that Willow’s diagnosis could have been discovered earlier in her pregnancy – the issue with this is it involves suing her best friend.

Picoult explores the arguments for and against what Charlotte is doing, and delves into how it affects the people involved. Friendships are broken, and relationships are damaged. As her family is torn apart, Willow feels unwanted and worried that she is the cause of all the tension. Through it all, Charlotte’s older daughter, Amelia, gets forgotten about and develops harmful ways of coping – bulimia.

The story is not solely based on the O’Keefe family. Picoult includes the character Marin, an attorney, and her search for her birth mother. This contrasts with the theme of abortion and makes the reader question the rights and wrongs of the dilemma.

Throughout the novel, Picoult creates a sense of foreboding. The narrative is written as if being spoken to Willow, however, the use of past tense implies that something horrible befalls her later in the book, regardless of the court case outcome.

Handle With Care is a novel that makes you think and plays with your emotions. Readers have a chance to develop their own opinions by reading the different characters’ perspectives. Another way in which Picoult connects with the reader is with the inclusion of recipes for baked goods. Charlotte used to be a baker before Willow was born, therefore, these extra bits fit well with the story. The recipes are also something readers could try out at home.

Jodi Picoult is a brilliant author with imaginative, thought-provoking ideas. Handle With Care fits in well with her other novels. It is quick to read, gripping and not quickly forgotten. This is a definite read for someone interested in ethical issues and those who like a novel that makes them think.

The Tenth Circle (reviewed 2016)

Admittedly I do not think this is one of Jodi Picoult’s best novels, however, that does not mean that The Tenth Circle is not a good book. Like all her stories, a large part of the storyline is about relationships, in this case, between father and daughter. On the other hand, The Tenth Circle stands out from the others as being a little different.

When Daniel Stone’s fourteen-year-old daughter Trixie accuses her ex-boyfriend of rape, he becomes an overprotective father, determined to keep his child from any more harm. What begins as a rape case spirals into a murder case with Daniel as the prime suspect. Suddenly the police turn to Trixie as an alternative suspect, and frightened of being accused, she runs away to Alaska – a place Daniel grew up as a child; a place he has been running away from all his life.

In a way, The Tenth Circle feels like two different stories: the rape and murder, and the flight to Alaska. Although the rape/murder case is the key focus of the plot, this story is also an insight into the relationship between father and daughter, and husband and wife.

“The real mistake he made was believing that you could lose someone in an instant, when in reality, it was a process that took months, years… lifetime.” Despite the Stone’s world turning upside down after a single event, Daniel realizes that he was losing his daughter a long time before that. She was growing up and keeping secrets. He barely knew the real Trixie. Likewise, his wife, Laura, was also keeping her fair share of secrets.

What made The Tenth Circle different from Picoult’s other novels is the inclusion of a comic book. It is an example of Daniel’s work as a comic book penciler (illustrated by Dustin Weaver in real life). This short graphic story represents Daniel and Trixie’s relationship. A daughter goes missing, and her father goes through hell and back to find her. It is interesting to compare the two stories and understand how Daniel feels. This comic book also allows the reader to have some fun. Within the illustrations are hidden letters, that when put together, spell out a quotation. It is the readers’ job to find and solve this puzzle.

Hell is a theme that kept coming up in this novel. As some may realize, The Tenth Circle is a brief reference to Dante’s Divine Comedy. Dante believed there were nine circles of Hell, each one representing a sin. Picoult has added a tenth circle, a circle for people who lie to themselves. The topic of Hell is emphasized through Laura Stone, a professor at Monroe College, Maine. She lectures on Classics, particularly on Dante’s Inferno. Picoult constantly alludes to this as a metaphor for the life Daniel and Trixie are experiencing.

Reading The Tenth Circle for a second time, I found I did not enjoy it as much. The element of surprise and plot twists were lost, as I already knew what was going to happen. For first readers, however, all of that is still to be experienced. Some may be put off or triggered by the rape content, but rest assured that Picoult deals with this delicate topic in the best way possible.

As fans will already know, you cannot read a Jodi Picoult book without learning something new. In this instance, you learn about Dante, forensic investigation and Yup’ik Eskimos – including intriguing words in the Yup’ik language. Due to this, Picoult’s writing is interesting to read, as well as delightful and meaningful due to her powerful metaphors.

Before reading this book, however, bear in mind that it contains rape, self-harm, drugs, suicide and murder. If any of the subjects are too upsetting, then I suggest you avoid this novel. On the other hand, if you are okay with delicate topics, I say go for it!

The Pact (reviewed 2016)

“Your son says they both meant to die. But he lived. What would you do?” As fans will already be aware, most of Jodi Picoult’s novels involve a “What if” or “What would you do?” scenario. The Pact is no different. This book contains all the elements you expect to find in a Picoult story: an ethical dilemma, family, relationships, love. However, The Pact is one of her more challenging reads – and it still was for me, reading it a second time.

Bainbridge, New Hampshire is an idyllic town that oozes a sense of security and safeness; it does not seem possible for crime to exist there. For a long time, that was the case, with the Harte and Gold family living as neighbours in a pragmatic family environment. Chris Harte and Emily Gold grew up together. They knew each other from birth and remained friends ever since, becoming intimate on reaching their teens. But suddenly, this serene atmosphere is shattered after seventeen-year-old Emily is found dead after being shot through the head, with Chris covered in blood beside her.

Despite defending himself by claiming that it was a joint suicide pact gone wrong, Chris is on trial for first-degree murder. The defence and the prosecution have to look deeply into the supposed crime and the events that lead up to it. Was Emily suicidal even though no one noticed? Did Chris love her, or was there a motive for murder? Whilst Chris anxiously awaits his verdict, the two families, the Hartes and the Golds, instead of pulling together in their time of grief, begin to crumble apart.

That is the general gist of the story, however, as with any Picoult book, there are smaller, subtle storylines dropped in here and there. The most prominent of these is the life of the defence attorney, Jordan McAfee, and his Private Investigator, Selena Damascus – two names that may be familiar to avid readers. These two are recurring characters in a couple of other novels by the same author. Instead of only being names dropped into a story for convenience sake, they have lives of their own. By reading all the books containing the pair, readers get to know them well and witness their growing relationship – providing they are read in the correct order, of course.

As for the key plot – the botched suicide pact – the story is told from a variety of perspectives, although all in the third person, from both after the event and before, going as far back as 1979, the year Emily was born, up until the present day, 1997. Naturally, the characters are going to reflect on the recent incidents to understand what has happened, but it is necessary to delve deeper into the past so that the reader can understand Chris and Emily’s relationship. It would be rather difficult otherwise to know who Emily was without any background knowledge, especially as she is already dead on the first page.

Picoult tackles the suicide theme delicately, showing full awareness that it is a difficult concept for people to read. She uses her characters to reveal the different ways people or societies react to the idea that someone would want to take their own life. The divide in the belief that suicide is either intrinsically right or wrong is evident from the characters who support Chris and those who accuse him of murder, maintaining that there was no way Emily would willingly take her own life. Some witnesses brought to the stand during the trial speak of suicide and depression from a medical and psychological point of view, fuelled by the in-depth research that Picoult has undertaken. Visiting a prison and experiencing what life is like for the inmates is an example of how far Picoult is willing to go to make her novels as realistic as possible.

As mentioned earlier, The Pact provokes the thought, “what would you do?” By engaging the reader in this way, Picoult encourages people to develop their interpretations and opinions about the storyline. She leaves hints and clues lying around to nudge our minds in a variety of directions. What was it that made Emily suicidal? Could her relationship with Chris, who for a long time was like a brother to her, be confusing the way she feels towards him and her family? Are there other factors? As for the outcome of the trial, readers will take either the prosecutor’s or the defence’s side – despite most of the book written in a way that paints Chris as wrongly accused. Picoult admits in an interview that even she was not sure how it should end and only made the decision by thinking about what the majority of readers would favour and the amount of hate mail she would receive if she did the opposite.

There is no denying that The Pact is a difficult book to read. Anyone who has experienced depression or suicidal thoughts will relate to Emily and Chris’ predicament, which may be too much to handle for some readers. On the other hand, if you have picked up this book knowing what to expect from Picoult’s writing, then you are less likely to be as shocked by the narrative. This is a book that will make you feel many emotions and question your own beliefs and opinions. Although not as beautifully written as her more recent novels, The Pact will suck you into the storyline and not let go until a long while after you have read the last page. Be prepared!


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How to Write a Book Review

There is no right or wrong way to write a book review. For some, writing “I liked this book” is good enough, but many writers prefer in-depth feedback and critique. A friend recently asked me for advice about writing book reviews, knowing that I have written many reviews, and new authors send me copies of their books in exchange for honest opinions. Admittedly, I do not follow a strict method of writing reviews, but I do try to include a few key points. At my friend’s request, I wrote the following instructions.

How to Write a Book Review

Firstly, write a brief description of the book. What is it about? Is it fiction or non-fiction? To what genre does it belong? Do not give anything away, especially the ending, but it is useful to tell potential readers a little about the narrative to entice them. Also, mention whether it is part of a series or a stand-alone. Is this the author’s first work, or are they a well-established writer?

For example:
Ancient Indian knowledge and wisdom have been expressed through storytelling for thousands of years. With this in mind, Limesh Parekh wrote his first business book Cracking the CRM Code in fiction format. CRM, which the author fails to define in the book, stands for Customer Relationship Management and is a useful process for businesses to interact with their customers.

What did you like about the book? Even if you did not enjoy it, try to find something positive to say. Was it well written? Did it contain interesting ideas or characters? What made you keep reading? Mention the emotions you felt, whether the author made you laugh or cry. Could you relate to the subject? Did you learn something new?

For example:
Many business books and manuals are nondescript and boring, whereas Limesh Parekh keeps the reader engaged with anecdotes, stories and quotes. Rather than learning how to use CRM, the characters show the process of purchasing and using the software, which is far more enlightening than a step-by-step guide.

For some, the hardest part of writing a review is mentioning the things they did not like. It is so easy to tell someone you liked their work rather than criticise them. Yet, even if it is unpleasant to hear, authors appreciate honesty and take on advice and comments in their future writings. If you found the book uninteresting, say so. Perhaps you were not the intended audience. Was the narrative easy to follow? Did you dislike any of the characters or ideas? Were there too many mistakes? (Be aware, typing errors are sometimes the fault of the editor and publisher rather than the author.)

For example:
English is presumably not the author’s first language, hence the sentences do not always flow, and the punctuation is far from perfect. At times, it is difficult to work out which character is speaking, making it a little confusing to follow.

Why should other people read this book? Did your reading experience benefit you in any way? Was it entertaining or educational, or was it a waste of your time? To whom would you recommend the book? Was it written for people with particular interests? Is it suitable for older or younger readers? Did it remind you of any other books you had read?

For example:
Cracking the CRM Code is written for business-minded people who understand the jargon and acronyms, many of which are unexplained. As a layperson, some of the information went over my head, but the fiction format helped hold my interest.

The final sentence of your review should indicate your overall impression of the book. You may have mentioned both positive and negative points, but which opinion comes out strongest? Some people find it easier to end their review with a rating out of 5 or 10 to indicate how much they enjoyed the book. 

For example:
Cracking the CRM Code has the potential to be a big hit with small business owners and business consultants. (3/5 Stars)


Below are a few examples of book reviews I have written over the past few months.

Larry, Bush Pilot by Jordan Mierek (2020)

Jordan Mierek, also known as Jordan Elizabeth, usually writes for young adults, but after many requests, she has published her first children’s book. Larry, Bush Pilot is a collaborative effort between Mierek and her father, Lawrence Mierek, who grew up on a dairy farm. Larry, a ten-year-old boy, also lived on a farm during the 1970s with his father, who owns an aeroplane. Despite his age, Larry’s father taught him to fly, which came in handy when his father suffered an accident in the middle of nowhere.

This short story loosely reflects Lawrence Mierek’s childhood. As a teenager, his father taught him to fly a plane on the airstrip behind their barn. The narrative is likely an imagined scenario, placing a young boy in a precarious situation, which many children would not have the means to solve. Only through extreme determination and courage is Larry able to rescue his father.

Larry, Bush Pilot is a short story intended for primary school children. The few illustrations between chapters make it an appropriate step between picture books and teenage novels. Larry’s life on the farm allows modern children to learn about the world before digital technology and the importance of a family working together. The story also tells the reader that if they believe in themselves and their abilities, they can achieve great things.

Jordan Mierek has stepped into the world of children’s literature and proved that she is more than capable of writing for several age groups. Larry, Bush Pilot is the first in a series called Flying Acres, and we look forward to joining Larry on his next adventure. (4/5 stars)

Home at Last: Your Journey of Faith in Challenging Times by Ruth Pearson (2020)

Ruth Pearson wrote Home at Last during the pandemic for those who have felt discouraged and afraid about the future. Suggesting Covid-19 could be a sign of the Second Coming, Pearson focused on three questions to prepare the reader for such an event. 1. How important is God in your life? 2. Do you have a personal relationship with God? 3. Where are you planning to spend eternity?

Using examples from the Bible, Pearson explores the idea of a journey of faith. Several characters in the Bible went on journeys that brought them closer to God. Pearson uses the Parable of the Prodigal Son to explain the notion of “coming home” to God. Readers may have drifted away from the creator, but He will welcome them back with open arms. The story of Ruth and Naomi explores faith, and the story of Joshua and Rahab features truth, about which Pearson also writes.

Whilst the ideas in the book are worth pursuing, the written narrative is poor. Pearson is either more confident verbalising her thoughts, or the English language is not her strong point. Frequent spelling and grammatical errors make the book difficult to read, and it is hard to follow the author’s thought process.

Pearson claims she wrote the entire book in 48 hours, and I believe her. Although some editing must have occurred, it needs a lot more work to make it a successful seller. It appears the author tried to conclude the narrative several times but thought of more to say. Chapter Nine ends by informing the reader that the next chapter is the last. Chapter Ten concludes the book, only for the reader to turn the page to find another chapter headed “Conclusion”.

It is a great shame the quality of writing lets the book down because the ideas could potentially help many new and old Christians. Although she does not reveal her denomination, Pearson’s beliefs suggest she is a Seventh-Day Adventist and emphasises the Second Coming. Some readers may be uncomfortable with this, but Pearson’s ideas are suitable for all types of Christians. (3/5 stars)

This Shining Life by Harriet Kline (2021)

Ollie’s Dad died. Richard had an incurable brain tumour, and before he passed away, he sent everyone a special present. He also told Ollie that “being alive was like a puzzle and it was all falling into place.” Ollie is autistic. He thinks his father left him a puzzle to solve. Could it involve the gifts? Why won’t anyone help him solve the puzzle?

This Shining Life by Harriet Kline is a heartbreaking tale about a family coming to terms with death. Told from several people’s point of view, Kline explores different portrayals of grief. Ollie’s mum wants to stay in bed; his aunt wants life to carry on; his maternal grandmother tries to exert control; his paternal grandmother wishes she could understand her grandson; and his grandfather has no idea what is going on. No one has time for Ollie and his obsession with his puzzle.

Before Richard’s death, Ollie dominated family life. Ollie had a strict routine, always had a few spare pairs of socks with him because he hated dirty ones, and had meltdowns if his parents used the “wrong” tone of voice. Without his familiar habits, Ollie’s life was a mass of confusion – an apt metaphor for the grief the rest of the family experienced.

With a contemporary novel such as This Shining Life, there is no “happy ever after”. People do not come back from the dead. There is no answer to the meaning of life. Grief is a long process and different for everyone. It causes depression, anger and confusion, but hidden under all these negative feelings is love.

Harriet Kline takes death and grief seriously but adds a touch of humour to the narrative for the reader’s benefit. It is not a light read, nor is it markedly profound. Instead, This Shining Life is painfully honest, and for that reason, it is beautiful. (4/5 stars)

Nine Ways to Die by Jordan Elizabeth (2021)

Fifteen-year-old January “Jan” hates the new town she has moved to but loves her new boyfriend, Jean. Her parents are never home, and her sister is in hospital, so she spends the summer days with her new friends. The only people she meets are around her age, and she never comes across any adults. The buildings are decrepit and old, almost like a ghost town. The more time Jan spends with her friends, the more peculiar the town, Memoir Falls, feels.

Nine Ways to Die is a short story by versatile writer, Jordan Elizabeth. The details about Jan’s past gradually emerge until Jan, along with the reader, discovers the truth about the strange town and its inhabitants. There are clues everywhere, but like Jan, readers fail to notice them until they come together in a sudden climax.

Through Jan’s eyes, readers experience the town as though they are also new inhabitants. Although it is a short story, there is so much on offer: suspense, romance, thrills, and the supernatural. For those familiar with Jordan Elizabeth’s work, this is a welcome addition to her vast collection of books. For newbie readers, this is a tempting taste of the author’s full potential. (4/5 stars)

Cracking the CRM Code by Limesh Parekh (2021)

Ancient Indian knowledge and wisdom have been expressed through storytelling for thousands of years. With this in mind, Limesh Parekh wrote his first business book Cracking the CRM Code in fiction format. CRM, which the author fails to define in the book, stands for Customer Relationship Management and is a useful process for businesses to interact with their customers.

Rather than produce a mundane manual about how to purchase and use CRM software, Parekh writes a story about four friends and their journey with CRM. Liladhar Shastri, a successful business owner, is encouraging his friends, Anubhav, Jagdeep and Irshad to consider using CRM to improve their businesses. What follows is a lengthy discussion about buying CRM, using CRM and getting the most out of the software.

As the Indian entrepreneur, Rashmi Bansal writes in the introduction, Limesh Parekh is “not a salesman but a friend.” The author gives advice through the voice of Liladhar, and the other three friends express the reader’s questions and concerns. The book is written for small businesses with the potential to grow with the help of CRM. The story analyses what the friends do wrong and what they need to change.

Cracking the CRM Code is written for business-minded people who understand the jargon and acronyms, many of which are unexplained. As a layperson, some of the information went over my head, but the fiction format helped hold my interest. English is presumably not the author’s first language, hence the sentences do not always flow, and the punctuation is far from perfect. At times, it is difficult to work out which character is speaking, making it a little confusing to follow.

Many business books and manuals are nondescript and boring, whereas Limesh Parekh keeps the reader engaged with anecdotes, stories and quotes. Rather than learning how to use CRM, the characters show the process of purchasing and using the software, which is far more enlightening than a step-by-step guide. Cracking the CRM Code has the potential to be a big hit with small business owners and business consultants. (3/5 stars)

The Boy I Am by K. L. Kettle (2021)

Imagine a world where women are safe from men. Imagine a world where women are in charge. Imagine a world where men no longer reduce women to something to flirt with or dismiss as beneath them. This is the way of life in K. L. Kettle’s dystopian novel The Boy I Am. War has left the Earth in ruins, and it is no longer safe to go outside, yet humanity is surviving in tall, secure tower blocks overseen by the Chancellor. Men and boys are confined to the basement floors as a punishment for their behaviour during the war. To earn their right to live on the upper floors, they must learn to behave like a gentleman, and never look at a woman’s skin without their permission.

The protagonist, Jude, is running out of time to earn the right to live amongst the women. If he does not gain a sponsor, he faces a future in the dangerous mines. Yet, Jude is not sure he wants to live with the women, who have demeaned him for his gender since his birth. He has seen another side to them and believes the Chancellor has killed his best friend. Jude wants to escape, risk the poisonous fog outside and search for a better life. To do this, the Chancellor must die.

The way women treat men and boys is uncomfortable to read. Female readers, in particular, may have experienced similar treatment at the hands of men. Feminists desire an equal world, but there is the risk of going too far the other way. Yet, as Jude discovers, it is not as black and white as Female versus Male. An underground gang of women known as Hysterics are also trying to escape. They want to save themselves and the boys from a society not run by women, but by the elite.

K. L. Kettle explains her intentions behind the novel in a letter to the reader at the end of the book. She quotes Lord Acton’s (1834-1902) proverb “absolute power corrupts absolutely” and questions if everyone is equal, does everyone have the ability to abuse the power they have? What may have seemed a good idea for humanity after the war, has become an oppressive state where no one is safe from those in power, not even the women. The Chancellor controls everyone, but Jude and the Hysterics are determined to take that power away from her.

Telling the story from Jude’s perspective highlights the faults in today’s societies. Many are unaware of the belittling behaviour happening around them, but when the roles are reversed, they are obvious. The Boy I Am is both thrilling and eye-opening, challenging gender roles and power dynamics in general. Those who have read books such as Noughts and Crosses by Malorie Blackman are guaranteed to enjoy K. L. Kettle’s novel. (4/5 stars)

In Picardy’s Fields by Hannah Byron (2020)

Told from two perspectives, In Picardy’s Fields is the story of two brave young women during the First World War. Set mostly in France, the two women put gender stereotypes to one side to help the allied soldiers. Baroness Agnès de Saint-Aubin, a young surgeon from Paris, follows her teacher, Dr Alan Bell, to the Château de Dragoncourt on the front lines in Picardy to help her friends, Jacques and Elle de Dragoncourt care for the injured soldiers. Meanwhile, the youngest Dragoncourt child, Madeleine, is determined to escape from her finishing school in Switzerland to play her part in the war effort.

The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in war-torn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.

Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy’s Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.

Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy’s Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès’s profession is key to the story.

Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy’s Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.

In Picardy’s Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on. (4/5 stars)

The Red-Haired Archaeologist Digs Israel by Amanda Hope Haley (2021)

“Finding Noah’s ark … would be fun, but it wouldn’t be instructive… wouldn’t teach us about God or each other.” This is the view of Amanda Hope Haley in The Red-Haired Archaeologist Digs Israel, a book about the author’s travels in the land of the Bible. As a Harvard-trained biblical archaeologist, Haley spent time in Israel excavating areas of land where Jesus once walked. Her goal was not to unearth evidence of Jesus but to discover what life was like for the everyday person during Christ’s time on Earth.

Only the first couple of chapters mention items and foundations Haley found on her digs. After that, Haley describes her holiday in Israel with her mother, father and husband. She writes honestly, admitting to tourist errors she and her family made. She describes the places she visited as though speaking to a reader who plans to make the trip too. Yet, it is far from a holiday diary.

In each location Haley visited, she describes the history of the place, the biblical references, the antagonism between the Jews and Muslims, and its current state. She discovers why Jesus chose to preach in certain areas, locates towns and cities mentioned in the Bible, and notes how much places have changed since the 1st century.

It is interesting to learn how the three religions, Judaism, Islam and Christianity, both merge and alienate each other. Haley visited areas that banned Jews, yet as a Christian, she could enter. She paints Israel as a dangerous place but also highlights its beauty spots.

The title, The Red-Haired Archaeologist Digs Israel, is misleading because there is little physical digging mentioned. Haley only documents a few of her finds, and readers do not learn a great deal from them. On the other hand, Haley’s metaphorical dig into the history of Israel proves fruitful, enhanced from her first-hand experience.

Those looking for a book about archaeology may be disappointed with The Red-Haired Archaeologist Digs Israel but those wishing to learn more about the biblical land of Israel, past and present, will appreciate Haley’s knowledge. For Christian readers, this book will enhance their understanding of the Bible. (4/5 stars)

The Diamond Courier by Hannah Byron (2020)

Twenty years have passed since the end of Hannah Byron’s World War One novel In Picardy’s Fields. It is now 1939 and the Second World War is just beginning, but all seems peaceful in Kent, England where the narrator, Lili Hamilton, lives with her parents. War is the last thing on Lili’s mind as she contemplates how to get out of an arranged marriage and pursue a career in journalism.

The surname Hamilton may be familiar to those who have read the previous book but Lady Madeleine has left her war achievements far behind in The Diamond Courier where she plays the role of a prim and proper lady of the house. Her daughter, Liliane, feels trapped by her sensible parents’ expectations who thwart her plans to be a political journalist. Yet Lili, encouraged by the handsome leader of the British Communist Party Leo Oppenheim, perseveres, thus estranging herself from her family.

Lili soon learns living in London with Leo is not the life she desired, but feels it is too late to back out, especially after witnessing the treatment of Jews on the continent. The Jewish community need someone to bring their precious diamonds to safety before the Germans get their hands on them, and they believe Lili is the best person for the job. Unless, of course, she gets caught.

The Diamond Courier is much darker than Byron’s previous book. Naturally, war is not a happy topic, but the sense of hope felt in In Picardy’s Fields is missing in this novel. The story is divided into two sections, “Leo” and “After Leo”. The former is lengthier, drawn-out, and not always pleasant to read. The latter, on the other hand, is packed with danger, excitement and adventure.

For Lili, Communism is something new and exciting, which she desires to pursue. The party has clear views about the war, with which all members must agree. Yet, when faced with the horrors of war, Lili realises she must cast aside her political opinions. Whether Communist, Jew, sympathiser or resistance member, no one deserves the terrible treatment delivered by the Nazis.

Although this is a work of fiction, Byron remains faithful to the true nature of the Second World War. She does not gloss over any of the atrocities and, whilst the reader keeps their fingers and toes crossed that Lili will get her “happily ever after” ending, this cannot be possible for everyone in the novel.

Aiming to show the strength of women living in a “man’s world”, Byron has created female characters of whom to be proud and respected. Whilst the storyline may not always be pleasant, it is a gripping narrative that immerses the reader into Lili’s life and experiences. Hannah Byron has a way with words that keeps the reader engaged throughout. She is an author to keep an eye on. (4/5 stars)


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The Phoenix of America

Sor Juana Inés de la Cruz by Miguel Cabrera

All she wanted was to read, learn and write in peace without being dictated to by the misogynistic Mexican society. Juana Inés de la Cruz lived during Mexico’s colonial period when women were not allowed to attend university. Despite this, Juana educated herself through books and began writing her thoughts about love, feminism and religion. Yet, Juana could not avoid the advances of men who believed she should settle down and marry. She sought the safety of a nunnery, which allowed her to continue writing until her opinions upset (male) members of the clergy. This is the story of the first feminist in the Americas, the “Phoenix of America”, who rose from the ashes of “religious authoritarianism”.

Juana Inés de Asbaje y Ramírez de Santillana was born on 12th November 1648 in the village of San Miguel Nepantla near Mexico City. Although she had older sisters, Juana was an illegitimate child because her parents never married. Her father, a Spanish captain called Pedro Manuel de Asbaje, abandoned the family shortly after Juana’s birth. Her mother was a Criolla woman called Isabel Ramírez. The Corillo people were Latin Americans with Spanish ancestors, which gave them more authority in Colonial Mexico, which belonged to the Spanish Empire. Juana’s father was Spanish, and her maternal grandparents were Spanish, thus making her a Criolla.

Hacienda Panoaya in Amecameca, Mexico is where Sor Juana lived between 1651 and 1656

Despite the lack of care from her biological father, Juana grew up in relative comfort on her maternal grandfather’s Hacienda, the Spanish equivalent of an estate. Her favourite place was the Hacienda chapel, where Juana hid with books stolen from her grandfather’s library. Girls were forbidden to read for leisure, but this did not prevent Juana from learning to read and write. At the age of three, Juana followed her sister to school and quickly learned how to read Latin. Allegedly, by the age of 5, Juana understood enough mathematics to write accounts, and at 8, wrote her first poem.

By her teens, Juana knew enough to teach other children Latin and could also understand Nahuatl, an Aztec language spoken in central Mexico since the seventh century. It was unusual for those of Spanish descent to speak the native languages. The Spanish aimed to replace the Mexicano tongue with their Latin alphabet, so it was almost with defiance that Juana went out of her way to not only learn Nahuatl but compose poems in the language too.

Juana finished school at 16 but wished to continue her studies at university. Unfortunately, only men could receive higher education. Juana spoke to her mother about her aspirations, suggesting she could disguise herself as a man to attend the university in Mexico City. Despite her pleading, Juana’s mother refused to allow her daughter to attempt such a risky plan. Instead, Isabel sent Juana to the colonial viceroy’s court to work as a lady-in-waiting.

Antonio Sebastián Álvarez de Toledo

Under the guardianship of the viceroy’s wife, Leonor de Carreto (1616-73), Juana continued her studies in private. Yet, she could not keep her ambitions secret from her mistress, who informed the viceroy of Juana’s intelligence. Rather than reprimanding her, the viceroy Antonio Sebastián Álvarez de Toledo (1622-1715) took an interest in Juana’s education. Wishing to test Juana’s intellect, the viceroy arranged a meeting of several theologians, philosophers, and poets and invited them to question the young girl. The men quizzed Juana on many topics, including science and literature, and she managed to impress them with her answers. They also admired how Juana conducted herself, and she remained unphased by the difficult questions they threw at her.

News of the meeting spread throughout the viceregal court. No longer needing to hide her writing skills, Juana produced many poems and other writings that impressed all those who read them. Her literary accomplishments spread across the Kingdom of New Spain, which covered much of North America, northern parts of South America and several islands in the Pacific Ocean. Yet, female scholars and writers were an anomaly at the time, and rather than attract praise, Juana drew the attention of many suitors. After refusing many proposals of marriage, Juana felt desperate to escape from the domineering men. She wanted “to have no fixed occupation which might curtail [her] freedom to study.” The only safe place she could find where she could continue her work was the Monastery of St. Joseph, so she became a nun.

Universidad del Claustro de Sor Juana

Juana spent over a year with the Discalced Carmelite nuns as a postulant, then moved to the monastery of the Hieronymite nuns in 1669, preferring their more relaxed rules. The San Jerónimo Convent, which became Juana’s home for the rest of her life, was established in 1585 by Isabel de Barrios. Only four nuns lived in the building at first, but they soon grew in number, becoming one of the first convents of nuns of the Saint Jerome order. They based their role in life on the biblical scholar Saint Jerome (342-420), who translated most of the Bible into Latin. Known for his religious teachings, Jerome favoured women and identified how a woman devoted to Jesus should live her life. During his lifetime, Jerome knew many women who had taken a vow of virginity. He advised them on the clothing they should wear, how to conduct themselves in public, and what and how they should eat and drink.

Sor Juana, by Juan de Miranda (circa 1680)

Despite taking on the title “Sor”, the Spanish equivalent of sister, Sor Juana’s main aim was to focus on her literary pursuits. Whilst she followed the ways of the Hieronymite nuns, she spent all her spare time writing. Juana’s previous employers, the Viceroy and Vicereine of New Spain became her patrons, helping her publish her work in colonial Mexico and Spain. Sor Juana also received support from the intellectual Don Carlos de Sigüenza y Góngora (1645-1700), who shared her religious beliefs as well as her passion for literature. Sigüenza, who claimed, “There is no pen that can rise to the eminence … of Sor Juana Inés de la Cruz,” also encouraged Juana to explore scientific topics.

Sor Juana dedicated some of her works, particularly her poems, to her patrons. Those written for Vicereine Leonor de Carreto often featured the name Laura, a codename assigned by Juana. Another patron, Marchioness Maria Luisa Manrique de Lara y Gonzaga (1649-1721) was “Lysi”. Juana also wrote a comic play called Los empeños de una casa (House of Desires) for Doña Maria Luisa and her husband in celebration of the birthday of their first child, José.

The first performance of Los empeños de una casa took place on 4th October 1683 and contains three songs in praise of Doña María Luisa Manrique: “Divine Lysi, Let Pass“, “Beautiful María” and “Tender Beautiful Flower Bud”. The protagonist, Doña Ana of Arellano, resembles the marchioness, who Sor Juana held in high regard. The play features two couples who are in love but cannot be together. Mistaken identities cause the characters much distress and the audience much hilarity. By the end of the final scene, everyone pairs up with the right partner, except one man who remains single as a punishment for causing the initial deception. In terms of theme and drama, Los empeños de una casa is a prime example of Mexican baroque theatre.

Another play by Sor Juana premiered on 11th February 1689 to mark the inauguration of the viceroyalty Gaspar de la Cerda y Mendoza (1653-97). Sor Juana based Love is but a Labyrinth on the Greek mythological story of Theseus and the Minotaur. Theseus, the king and founder of Athens, fights against the half-bull, half-human Minotaur to save the Cretan princess Ariadne. Although Theseus resembled the archetypal baroque hero, Sor Juana portrayed him as a humble man rather than proud.

Sor Juana also demonstrated Baroque literature in her poetry. Often full of philosophical ideas, Juana explored themes of the deceptiveness of appearances and female intelligence. In Hombres necios (Foolish Men), for example, the nun reveals the illogical behaviour of men towards women, treating them as objects of passion rather than human beings. In other poems, Juana wrote about the disillusionment of love and the pain it caused.

The first part of Sor Juana’s complete works, Madrid, 1689

Arguably, Sor Juana’s best poem is Primero sueño (First Dream), 975-lines about the torturous quest of the soul for knowledge. As night falls and the body sleeps, the soul separates from the body and dreams. The soul contemplates the world and the existence of everything from flowers to human life, taking into account all the details and mysteries of each object. Yet, it fails to grasp the overwhelming abundance of the universe, and the sun rises once more, forcing the soul back into the body.

Critics interpreted Primero sueño as Sor Juana’s dreams or thoughts, which were highly philosophical compared to the average person. She explored themes of Neoplatonism, the idea that the world is divided into hierarchies, and Scholasticism, which combined Christian theology with classical philosophy, particularly that of Aristotle (384-322 BC). The latter believed every living organism had more than one purpose or cause, which Aristotle split into ten categories: substance; quantity; quality; relatives; somewhere; sometime; being in a position; having; acting; and being acted upon. It is likely Sor Juana came across Aristotle’s Categories during her studies, either in her grandfather’s library or the San Jerónimo Convent.

Sor Juana’s writings, poems and plays covered many of her interests, such as religion, philosophy, mathematics and science. She also enjoyed music and studied the theory of instrumental tuning, on which she wrote a treatise. Sadly, this work is lost, but evidence suggests she wrote some of her poems, intending to set them to music.

The first part of Sor Juana’s complete works, Madrid, 1689

Not all of Sor Juana’s writings were intended for public consumption. In 1690, Manuel Fernández de Santa Cruz (1637-99), the Bishop of Puebla, published Sor Juana’s critique of a sermon by the Jesuit priest Father António Vieira (1608-97). Titled Carta Atenagórica (Athenagorical Letter or a letter “worthy of Athena’s wisdom”), Juana expressed her dislike of the colonial system and her belief that religious doctrines are the product of human interpretation. She criticised Father António Vieira for his dramatic and philosophical representation of theological topics. Most importantly, Juana called the priest out for his anti-feminist attitude.

Alongside Sor Juana’s critique, the Bishop of Puebla published a letter under the pseudonym Sor Filotea de la Cruz, in which he admonished the nun for her opinions. Ironically, the bishop agreed with many of Sor Juana’s thoughts, but he ended the letter by saying Sor Juana should concentrate on religious rather than secular studies. Whilst the critique focused on a religious sermon, Sor Juana included colonialism and politics in her argument, which the bishop felt were inappropriate topics for a woman, let alone a nun.

Carta Atenagórica

“Sor Filotea expresses the admiration she feels for Sor Juana, but at the same time reproaches her for exercising her talent in profane subjects instead of devotional literature. Although Sister Filotea does not declare herself against the education of women, she does express her dissatisfaction with the lack of obedience that some already educated women might demonstrate. Finally, she recommends Sor Juana to follow the example of other mystical writers who dedicated themselves to theological literature, such as Santa Teresa de Ávila or San Gregorio Nacianceno.”

Sor Juana responded to Sor Filotea, the Bishop of Puebla, in which she defended women’s rights to education and further study. Whilst she agreed that women should not neglect their duties, in her case her obedience to the Church and God, Juana pointed out that “One can perfectly well philosophise while cooking supper.” By this, she meant women could balance their education and everyday tasks. She jokingly followed this with the quip, “If Aristotle had cooked, much more would have been written.”

In her response, Sor Juana quoted the Spanish nun St Teresa of Ávila (1515-82) as well as St Jerome and St Paul to back up her argument that “human arts and sciences” are necessary to understand sacred theology. She suggested if women were elected to positions of authority, they could educate other women, thus alleviating a male tutor’s fears of being in intimate settings with female students.

The nun’s controversial response caused a lot of concern amongst high-ranking (male) officials who criticised her “waywardness”. They were angry with Sor Juana for challenging the patriarchal structure of the Catholic Church, and for claiming her writing was as good as historical and biblical texts. As a result, the San Jerónimo Convent forbade Juana from reading and sold her collection of over 4,000 books and scientific instruments for charity. With no one on her side, Sor Juana relented and agreed to renew her vows. The convent also required Juana to undergo penance, but rather than signing the penitential documents with her name, she wrote: “Yo, la Peor de Todas” (I, the worst of all women).

From 1693 onwards, Sor Juana focused solely on her religious orders. Never again did she pick up a pen to write or a book to read. Instead, Juana spent her time either in prayer or tending the sick, which led to fatal consequences. After nursing other nuns stricken during a plague, Sor Juana fell ill and passed away on 17th April 1695.

Before she was silenced, Sor Juana penned over 100 works, the majority of which went unpublished. Unfortunately, many were lost, and only a handful remain. Those that survived were compiled into an anthology. Several writers, including the Mexican poet and diplomat Octavio Paz (1914-98), have studied Juana’s life and writings, focusing on the difficulties women faced while trying to thrive in academic fields. Several scholars argue that Juana’s advocacy of intellectual authority is one of the first recorded instances of feminism. Some liken her to the Mexican painter Frida Kahlo (1907-54), although Juana was ahead of her time – a protofeminist.

Monument of Sor Juana in Chapultepec.

Although Sor Juana Inés de la Cruz is almost an unknown entity in the non-Spanish speaking world, her work and reputation live on in Mexico, where she remains a national icon. Her former cloister is now the University of the Cloister of Sor Juana, which the Mexican government founded in 1979. During the renovations, builders discovered bones believed to belong to the nun. Due to a lack of ancestors, tests cannot be carried out on the bones to confirm the identity, but a medallion similar to the one depicted in portraits of Juana found in the same place is enough evidence for some.

Feminist movements of the past and present have adopted Sor Juana as a symbol, along with Frida Kahlo. Some also link both women to LGBT movements, although Sor Juana never disclosed her sexuality. Evidence suggests Sor Juana became a nun to avoid marriage, but others argue she was an “Indigenous lesbian”. As part of her penance, Juana cut her hair, which some interpret as an attempt to masculinise her appearance, likening it to Kahlo’s Self-Portrait with Cropped Hair (1940).

Statue of Sor Juana Inés in Madrid, Spain.

Sor Juana is also a religious symbol of Mexican identity, both in relation to Catholicism and Aztec beliefs. The latter is due to Juana’s choice to write some of her poems in the indigenous Nahuatl language. She also wrote a play, El Divino Narciso (Loa to Divine Narcissus), which features two Indigenous people named Occident and America, discussing their religious beliefs with two Spaniards, Religion and Zeal. Yet, her devotion to the Virgin Mary is evident in other work by Sor Juana, as is her decision to take her vows at the San Jerónimo Convent.

Juana Ines de la Cruz in art by Mexican artist Mauricio García Vega.

Sor Juana continued to inspire and influence people in Mexico and Spain in the 20th century. She appears as characters in literature, such as Yo-Yo Boing! by Puerto Rican author Giannina Braschi (b.1953), which debates the greatest women poets, including Sor Juana and Emily Dickinson (1830-86). In 1962, Telesistema Mexicano broadcast a mini-series based on Sor Juana’s life; and in 1990, the film Yo, la peor de todas (I, the Worst of All) premiered, based on Octavio Paz’s book about the Mexican nun.

In the 21st century, Sor Juana’s fame finally made its way into English speaking countries. In 2004, Canadian author Paul Anderson published a novel based on Sor Juana’s life called Hunger’s Brides, which won the Alberta Book Award the following year. In 2007, Margaret Atwood (b.1939) published a book of poems, including Sor Juana Works in the Garden. In the music world, American composer John Adams (b.1947) used two of Sor Juana’s poems in the libretto for the oratorio-opera El Niño (2000). In 2015, the Royal Shakespeare Company performed Helen Edmundson’s (b.1964) play The Heresy of Love as part of the Spanish Golden Age season. Finally, in 2017, Google honoured Sor Juana with a Google Doodle to mark her 366th birthday.

Sor Juana Inés de la Cruz has yet to earn her place among the greatest women in the world outside of Spanish speaking countries, but her ideas are gradually making their way into contemporary works. Sometimes referred to as the “The Tenth Muse” and “The Phoenix of America”, Sor Juana is an inspiration to everyone who faces adversity, particularly in terms of human rights and education. Fortunately, life for women has drastically improved since Sor Juana’s time, but the necessary changes only began 100 years ago. Sor Juana was not afraid to point out the inequalities in her society. Yet, with no one to back her up, there was nothing she could do to change things during her lifetime. If Sor Juana could see the world today, she would be pleased with our progress.


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Katherine Mansfield

Katherine Mansfield

“Innovative, accessible, and psychologically acute,” is how the Poetry Foundation describes the short stories of Katherine Mansfield. Highly regarded in the 20th century, although less known today, Mansfield experimented with modernism and brought new genres to the short story format. Writing about relationships, sexuality, the middle class, war, and everyday life, Mansfield was welcomed by members of the Bloomsbury Group in London. Sadly, her untimely death at the age of 34 prevented Mansfield from rising to the celebrity ranks of her friends, such as D. H. Lawrence (1885-1930) and Virginia Woolf (1882-1941).

Born into a wealthy family on 14th October 1888, Kathleen Mansfield Beauchamp (Katherine was a pseudonym) grew up in Wellington, New Zealand, with her four siblings: two older sisters and a younger sister and brother. Her father, Sir Harold Beauchamp (1858-1938), was a successful businessman and, later in life, the chairman of the Bank of New Zealand. Katherine’s grandfather, Arthur Beauchamp (1827-1910), briefly stood as a Member of Parliament, and her cousin, Elizabeth von Arnim (1866-1941), became a well-known author and, briefly, conducted an affair with H. G. Wells (1866-1946).

Mansfield’s happy childhood memories made their way into several short stories, which she began writing in the late 1890s. Her first written works appeared in the magazine of Wellington Girls’ High School, which she attended until 13 years old. In 1900, Mansfield submitted a story to the children’s page of the New Zealand Graphic and Ladies Journal, which they published the day before her 12th birthday. The tale, His Little Friend, described the relationship between a man and a young child he met on the road. The man, John, came from a wealthy background, whereas the little boy lived in poverty and had nothing to eat. John gave the child food from his garden, but it was not enough to save the boy from a fatal illness. The sad story revealed Mansfield’s awareness of her parent’s wealth and the poverty of the working-class members of society.

As a child and teenager, Mansfield kept a private journal, in which she jotted down personal experiences and story ideas. They reveal her infatuation with the son of her cello teacher, who did not reciprocate her attention. As she got older, she wrote about the mistreatment of the indigenous Māori people, who she believed were repressed by society. To counteract this, Mansfield portrayed the Māori in a positive light in her stories. On these occasions, she painted white people in a negative light.

Katherine and Ida

In 1903, Mansfield travelled to London with her sisters to attend Queen’s College, an independent school for girls aged 11 to 18. As well as academic studies, Mansfield focused on practising the cello, which she dreamed of playing professionally. Her aspirations soon changed after contributing to the college magazine, which she later edited. Many commented on Mansfield’s aptitude for writing, particularly her friend Ida Baker, who also loved to write.

After completing her schooling, Mansfield returned to New Zealand, where she concentrated on writing short stories. Many of these appeared in the Native Companion, for which she received payment, thus cementing her ambition to be a professional writer. She published these works under the name “K. Mansfield”, her first initial and middle name. 

Mansfield’s journals from 1906 to 1908 suggest she had many romantic relationships. Whilst the majority were male, Mansfield wrote about two women and her conflicting feelings towards them. Same-sex relationships were illegal, but Mansfield felt unable to repress her feelings. On one occasion, she wrote, “I want Maata—I want her as I have had her—terribly. This is unclean I know but true.” Maata Mahupuku (1890-1952) was a Māori woman who Mansfield knew from childhood. They became close after Mansfield’s return to New Zealand, but their relationship ended when Maata married in 1907. The other woman Mansfield wrote about was called Edith Kathleen Bendall, but there is very little information about her.

Growing wearing of life in New Zealand, Mansfield returned to London. Her father agreed to send her an annual allowance of £100, although she quickly took up a bohemian lifestyle. After moving from place to place, Mansfield decided to seek out the son of her cello teacher, Arnold Trowell. Just as before, Arnold did not return Mansfield’s advances, but his brother, Garnet, did. After a brief but passionate affair, Mansfield realised she was pregnant. Sadly, Garnet’s parents, who disapproved of the relationship, forced them to split up.

Not wishing to have a child out of wedlock, Mansfield hastily accepted a marriage proposal from George Bowden, a singing tutor. They married on 2nd March 1909, but regretting her decision, Mansfield fled shortly after the service. For a while, she found solace at the house of her friend Ida. When her mother, Annie Beauchamp, arrived in England after learning about the failed marriage, she blamed her daughter’s “lesbian relationship” with Ida. Angrily, Annie packed her pregnant daughter off to the spa town of Bad Wörishofen in Bavaria, Germany, and cut Mansfield from her will.

While in Bad Wörishofen, Mansfield suffered a miscarriage. After recuperating from the trauma, she returned to London in 1910. Mansfield’s experiences in Bavaria, which included learning of various European authors, prompted her to start writing again. Before her marriage to Bowden, Mansfield only published one poem and one story in London. Her new literary outlook resulted in a dozen short stories, which she submitted to The New Age, a socialist magazine owned by Alfred Richard Orage (1873-1934). Through Orage, Mansfield met the English writer Beatrice Hastings (1879-1943), with whom she developed a close, possibly romantic, relationship.

In 1911, Mansfield published a series of short stories about life in Germany under the title In A German Pension. Some of these tales reference her plight, but most satirically represent the habits of German people and the state of their unhealthy sewage system. On occasion, Mansfield mentioned the misrepresentation of women and how men exploit them.

Mansfield in 1912

For some time, Mansfield attempted to get her work published in the literary, arts, and critical review magazine Rhythm. The editor rejected her first attempt for being too “lightweight”, so she responded with a darker, Fauvist story titled The Woman at the Store. Set in the desolate New Zealand countryside, three friends stop to rest at a store owned by a mentally deranged woman. Whilst the woman attempts to woo the visitors, her neglected daughter reveals to them through her drawings that her mother killed her father.

In 1912, Mansfield joined Rhythm as an associate editor. She developed a close relationship with the main editor, John Middleton Murry (1889-1957), and they had an on and off affair, which inspired the characters Gudrun and Gerald in D.H. Lawrence’s Women in Love

Mansfield and John Middleton Murry

Rhythm magazine folded in 1913 after the publisher Charles Granville absconded, leaving them with many debts. Around this time, Mansfield experienced bouts of ill health. A friend persuaded Mansfield and Murry to rent a cottage in Cholesbury, Buckinghamshire, where Mansfield could recuperate. When her symptoms did not alleviate, they moved to Paris, hoping a change of setting would boost Mansfield’s health or at least inspire her to write again. Mansfield succeeded in writing a short story titled Something Childish But Very Natural, but it was not published until after her death.

In 1914, Mansfield and Murry briefly split up when Murry returned to London to declare bankruptcy. Remaining in France, Mansfield conducted an affair with the French author Francis Carco (1886-1958), which she narrated in her short story, An Indiscreet Journey. The tale describes the journey of an English woman on her way to meet her lover on the front line during the First World War, and the people she met along the way. 

Mansfield and Murry reunited in 1915, but Mansfield’s outlook on life changed after receiving the news of the death of her younger brother Leslie. While serving with the British Expeditionary Force in Ypres Salient, Belgium, Leslie suffered fatal wounds during a grenade training exercise. His death made Mansfield nostalgic about her childhood in New Zealand, which she reflected in her writing.

Katherine Mansfield

In 1917, Mansfield and Murry split once again. Mansfield purchased an apartment where she lived for a time with her friend Ida, who she referred to as “my wife”. Although no longer together, Murry visited Mansfield regularly and eventually won back her heart. During this time, Mansfield wrote prolifically, often on themes of marriage or lost love, and published many stories in The New Age Magazine.

Later that year, Virginia Woolf and her husband Leonard (1880-1969) approached Mansfield to ask for a story. They needed writers for their new publishing company, Hogarth Press, and Mansfield happily presented them with her work in progress, Prelude. Woolf encouraged her to finish the story, which Mansfield based on her childhood, particularly the family’s move to Karori, a country suburb of Wellington, in 1893. Eventually published by Hogarth Press in 1918, Prelude encompasses themes of feminism, isolation, freedom, servility and familial relationships.

Katherine Mansfield Portrait

In December 1917, Mansfield received a diagnosis of pulmonary tuberculosis. For the rest of the winter and following spring, she stayed with the American artist Anne Estelle Rice (1877-1959) in Looe, Cornwall, hoping the sea air would aid recovery. While there, Rice painted Mansfield’s portrait, which the author requested in vivid red. The painting now lives in the Museum of New Zealand Te Papa Tongarewa in Wellington, New Zealand.

Mansfield’s health continued to worsen, but she refused to enter a sanitorium. Instead, she moved to Bandol in southeastern France, where she resided in a quiet hotel. Whilst feeling isolated and depressed, Mansfield focused on her writing, producing short stories, such as Je ne parle pas français and Bliss. The latter became the title story of her collection Bliss and Other Stories, published in 1920.

In March 1919, Mansfield suffered a lung haemorrhage, which prompted Murry to urge her to marry him. As soon as her divorce papers came through from Bowden, the couple married in April in London. Murry’s financial situation had much improved, and he worked as the editor for the literary magazine The Athenaeum. Mansfield contributed over 100 book reviews to the magazine, and many well-known authors submitted short stories and poems, including T. S. Eliot (1888-1965), Thomas Hardy (1840-1928), Aldous Huxley (1894-1963), and Virginia Woolf. 

Mansfield travelled to San Remo, Italy, with Ida to avoid the harsh English winters. Murry joined them for Christmas but returned to London soon after. It became normal for Mansfield and Murry to live apart, which Mansfield used as the basis of her story The Man Without a Temperament. Swapping tuberculosis for heart disease, Mansfield wrote about a man who is scorned for leaving his poorly wife behind while he goes for a walk. 

In May 1921, Mansfield and Ida visited the Swiss bacteriologist Henri Spahlinge in Switzerland in search of tuberculosis treatment. In June, Murry joined her, and they rented a chalet in the canton of Valais. While undergoing treatment, Mansfield wrote rapidly, fearing she had little time left. The majority of her short stories from this period were published in The Garden Party and Other Stories in 1922. This publication received mixed reviews from critics. Some argued it left them cold, and others claimed it to be a selection of her best works.

One story, The Daughters of the Late Colonel, is regarded as Mansfield’s finest work. It concerns the lives of two sisters, Josephine and Constantia, who are trying to come to terms with the death of their father. Mansfield emphasised that middle-class women brought up in old-fashioned ways do not know how to fend for themselves. Their father always made decisions about their lives, and without him, the sisters are lost. Readers have interpreted the story differently. For some, this is the sisters’ chance to live their life as they wish; for others, the sisters face perpetual misery, unable to live without their father. Although she did not make it clear in her writing, Mansfield favoured the latter outcome, saying to a friend: “All was meant, of course, to lead up to that last paragraph, when my two flowerless ones turned with that timid gesture, to the sun. ‘Perhaps now’. And after that, it seemed to me, they died as truly as Father was dead.”

In early 1922, Mansfield gave up on tuberculosis treatment in Switzerland and searched for alternative methods. A form of x-ray treatment in Paris caused her painful side effects and failed to improve her condition. Mansfield and Murray briefly returned to Switzerland, where Mansfield finished her final short story, The Canary. After this, they visited London before moving permanently to Fontainebleau in France. Here, Mansfield lived as a guest at the Institute for the Harmonious Development of Man under the care of Olgivanna Lazovitch Hinzenburg (1898-1985), the future wife of American architect Frank Lloyd Wright (1867-1959).

Katherine Mansfield’s Tombstone at Cimetiere d’Avon in Avon France

On 9th January 1923, after running up a flight of stairs, Katherine Mansfield suffered a fatal pulmonary haemorrhage. Her husband failed to pay for her funeral expenses, so she was buried in a pauper’s grave until he rectified the situation. After this, Mansfield was interred at Cimetiere d’Avon, Avon, near Fontainebleau.

Many of Mansfield’s stories remained unpublished at the time of her death. Gradually, Murry compiled them into volumes and printed them as The Dove’s Nest in 1923 and Something Childish in 1924. He also published a collection of her poems (The AloeNovels and Novelists), letters and journals.

Despite spending half her life in Europe, Mansfield is most known in her home country. About ten schools in New Zealand have a school house named in her honour. Her birthplace is preserved as the Katherine Mansfield House and Garden, which is open to the public. There is also an award called the Katherine Mansfield Menton Fellowship, which allows a writer from New Zealand to work in one of Mansfield’s former homes in France.

In the 1970s, the BBC serialised Katherine Mansfield’s life in a miniseries called A Picture of Katherine Mansfield, starring Vanessa Redgrave (b.1937). Apart from this, little is done to keep the memory of Katherine Mansfield alive in Britain. For such a prolific writer, she remains unknown to many. If Mansfield had lived longer than 34 years, she would easily have exceeded the number of works by some of today’s most loved writers. 


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